Rudbeckia hirta “Autumn Colors”: click on an image for slideshow
Gladsome we, though our end be to your eye decaying fury our first blooms a surprising mystery: purple-centered flaming glory darkening to what you didn’t foresee autumn’s legion embers a dreary inventory.
2 Corinthians 4:16-18 So we do not lose heart. Though our outer self is wasting away, our inner self is being renewed day by day. For this light momentary affliction is preparing for us an eternal weight of glory beyond all comparison, as we look not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal.
Cee's Flower of the Day (FOTD) October 17, 2021:
check out her incredible photography.
Sammi's Weekend Writing Prompt #231 - "Legion"
write prose or poetry in 32 words using the above word.
I watched you go, the empty sleeve of your coat brushing my cheek long before the final goodbye
on riddling ground east of Eden, west of the moon, where dead roam among the living as infernal winds sweep through like furies spitting over our destinies
in the wasteland where visions die where banshees howl, half-formed men bay round fires of Cain’s wandering offspring; yet the eternal revelation, tri-folded, goes forth to the hungry and the poor in spirit
on ground riddled with the treacherous dust of history, walking as quickened ones, lilies of the field, dandelions harboring the unsearchable riches of Christ showing forth the unassailable purpose of God
as dumb to the world’s riddles, we carry on, spinning out of bereft arms into shrouds or across canyons of a diseased mind losing each other to time’s grasp, till time stops, and we, with joy unspeakable, walk on new ground.
Photo by ROMAN ODINTSOV on Pexels.com
Ingrid at dVerse's "Poetics: From a place of pain" asks us to "try your hand at writing your way out of a place of pain" which I have done combining fragments of poems from the past. Join us by clicking on Mr. Linky.
Jesus said:“Blessed are the poor in spirit, for theirs is the kingdom of heaven.”
I’d been talking with her on the phone for quite a while. Now I had come to the end of myself, not simply physically weary, but spiritually. She was still anxious, overwrought, doubtful of her salvation, overrun with the voice of the Accuser undercutting the gospel she had known and believed for most of her life. Painful circumstances had brought her to the end of her rope. And I was at the end of mine, spiritual weapons blunted and defeat looming.
I was, in effect, poor in spirit. Impoverished, like the woman who said to Elisha: “Your servant has nothing in the house except a jar of oil” (2 Kings 4:2). Destitute.
But Jesus had said this was a characteristic of those in the kingdom. So I was good, right?
“Blessed are the poor in spirit, for theirs is the kingdom of heaven.” (Matthew 5: 3)
Blessed/Happy: μακάριος “makarios” mak-ar’-ee-os (Gk.) – “blessed,” “happy,” “possessed of peace (shalom), well-being” — in the Amplified Bible: “happy, to be envied, and spiritually prosperous–with life-joy and satisfaction in God’s favor and salvation, regardless of their outward conditions”
This is the very first beatitude, a statement of blessing. Jesus’ eight beatitudes are the dramatic opening to his teaching in Matthew 5, 6 & 7. The beatitudes are the tour de force of the Sermon on the Mount.
Jesus, the incarnate Son of God, consummate prophet, priest, king, knows how to grab the attention of his listeners by describing the happy, fulfilled life, the desire of every human being. He describes “the makarios life,” that is, the “blessed/happy life,” of those who follow Him. This life is available to every believer. The kingdom of heaven had already come with His appearance, even as it will come fully on the day He returns. As believers, we are citizens in His kingdom, and as kingdom-dwellers, we should possess all the qualities that the beatitudes describe.
The makarios life is the life of someone described in Psalm 11, and in Christ Jesus, we possess its qualities. So, as Jesus says, happy are we! And this first beatitude gives the foundational characteristic that leads to all the other attributes listed of the blessed life. Living the makarios life means we are first and foremost “poor in spirit.”
Well, I was certainly feeling my spiritual poverty on the phone with my desperately anxious friend.So why didn’t I feel blessed?
Simple. The kingdom of God is not a matter of feeling. It is knowing and believing and trusting that God’s word and promises are true. It is a matter of taking with both hands God’s revealed truth and turning around continually to Him, looking to Him, and relying on Him to provide for all that we need to apply that truth in our lives and our relationships. That is kingdom-living. That is happiness-producing. That is blessedness. That is the makarios life!
So I acknowledge my spiritual lack and gather the riches of the kingdom in Christ Jesus. And I give my friend what Christ gives me: His love.
Do you remember the song we grew up with as children, the one we taught our children? I ask her. We used to sing “Jesus Loves Me”?
Yes, she says.
Can we sing it together?
Jesus . . . loves . . . .
Her voice fades pitifully. I can feel her anguish, hear her cries of panic and uncertainty, powerless to hope, powerless to believe. She can’t bring herself to say “me.” Jesus loves ME.
She hardly has the breath to sing through her cries, so I sing it for the most part alone. She is silent while I sing. Listening. Then I ask her:
Can you, dear one, say “Jesus loves me”?
Patiently we repeat the words of the song. Simple words. Words at the heart of the gospel.
She stumbles many times, as if in unbelief at the immensity of the statement, that Jesus could love her, even her.
Yes, I remind her, Yes! Jesus loves you. Yes! Jesus loves me. This I know. For the Bible tells me so. Little ones — us, you and me – to Him belong. You are weak and I am weak but He is strong. Say it, dear one: say, “Jesus loves me.”
And when at last she does say it, substituting her name for the “me,” it is as if another gate of hell had been broken through, and the Accuser driven back in defeat.
It is a moment of great victory. You see, the kingdom of God is ours, the poor in spirit, in the person of Jesus Christ who loved us and gave Himself on the cross for us. And He gives us the kingdom He won for us.
I am weak but He is strong. “Blessed are the poor in spirit, for theirs is the kingdom of heaven.”
Sister! Brother! Preach it to yourself, to each other. We are living the makarios life. Hallelujah!
1Psalm 1 Blessed is the man who walks not in the counsel of the wicked, nor stands in the way of sinners, nor sits in the seat of scoffers;
but his delight is in the law of the LORD, and on his law he meditates day and night.
He is like a tree planted by streams of water that yields its fruit in its season, and its leaf does not wither. In all that he does, he prospers.
The wicked are not so, but are like chaff that the wind drives away. Therefore the wicked will not stand in the judgment, nor sinners in the congregation of the righteous;
for the LORD knows the way of the righteous, but the way of the wicked will perish.
I did not know at all how to be, which way to live.
I came to wash on the shore, from city street wandered in, when spectacles lit, unfolded, slipped onto my nose, to where care had not brought down the voice so sweet of blackbirds and cuckoo:
Salvador Dalí. (Spanish, 1904-1989). The Persistence of Memory. 1931
Five minutes ago insurance was on the phone something needed watching a chore couldn’t be ignored prescriptions waited in the hallway voices cluttered up the inbox the sun was breaking hot motes star-fished into eyes death landed on the floor space folded into halves you went into your room the music turned up loud in the spaces of my heart where you still pace and pray the speakers turned up high distance crumpling in my hand the clock stretched round a bend five minutes ago
For dVerse's Open Link Night 293 hosted by Lisa. Click on Mr. Linky and meet us there!
Genre: Realism
Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt
and limit our words to 100 or less.
Click on the frog to read more stories.
Weathervane
She prays all night. The church doors had been surprisingly unlocked. Its interior, its peculiarly aged scent of wood, recalls her standing between her parents, singing in her clear soprano voice, afterwards accepting praise from teary-eyed elders.
How long since she’d sung a hymn? Her music had taken her a long way from the church’s doors.
At last she rises. Outside, she looks back at the steeple lit by the dawn, a rooster weathervane atop the cross.
Bending her head, she weeps to remember that even Peter1 had denied his Lord three times before the rooster crowed. And been forgiven.
1Mark 14:27-31, 66-72 (NIV) “You will all fall away,” Jesus told them, “for it is written: ‘I will strike the shepherd, and the sheep will be scattered.’[Zech. 13:7] But after I have risen, I will go ahead of you into Galilee.” Peter declared, “Even if all fall away, I will not.” “Truly I tell you,” Jesus answered, “today–yes, tonight–before the rooster crows twice you yourself will disown me three times.” But Peter insisted emphatically, “Even if I have to die with you, I will never disown you.” And all the others said the same. … [After Jesus’ arrest] While Peter was below in the courtyard, one of the servant girls of the high priest came by. When she saw Peter warming himself, she looked closely at him. “You also were with that Nazarene, Jesus,” she said. But he denied it. “I don’t know or understand what you’re talking about,” he said, and went out into the entryway. When the servant girl saw him there, she said again to those standing around, “This fellow is one of them.” Again he denied it. After a little while, those standing near said to Peter, “Surely you are one of them, for you are a Galilean.” He began to call down curses, and he swore to them, “I don’t know this man you’re talking about.” Immediately the rooster crowed the second time. Then Peter remembered the word Jesus had spoken to him: “Before the rooster crows twice you will disown me three times.” And he broke down and wept.
I want to start a poem like this: I am brown, very brown. Then I get writer’s block. Because now it’s out there.
There’s a story to tell, but it’s not poetic. It’s definitional. I have to define wheatish, fair, tan, light-skinned, black, white, and all the colors that separate you and me, and beat us into submission, into bearing the crimes of our color, even though not once have I cried because I was dark brown. But I have cried because you spoke to my skin color and not to me.
And tears are wordless, colorless. Their salt shorts out syllables, keyboards, laptops. Already I taste it on my tongue. So I eat the heart of a dragon and listen to the gossip of birds.
A blackbird flies south Its shadow falls on Mt. Fuji Western sun descends
Katsushika Hokusai (1760-1849) “Tea house at Koishikawa. The morning after a snowfall”
Frank at dVerse asks us to write on Writer's Block for Haibun Monday.
The haibun form "consists of one to a few paragraphs of prose
—usually written in the present tense—that evoke an experience and are
often non-fictional/autobiographical. They may be preceded or followed
by one or more haiku—nature-based, using a seasonal image—that complement without directly repeating what the prose stated.
Click on Mr. Linky to join in!
Grace at dVerse engages us to try a new poetic form: the Zéjel,
a Spanish form with Arabic influence related to the Qasida
and adopted by the Spanish troubadours of 15th century.
The rules for the most common form:
1) 8 syllable lines.
2) stanzaic, opening with a mono-rhymed triplet followed by any number of quatrains.
3) rhymed, the rhyme of the opening mudanza establishes a linking rhyme with the end line of the succeeding quatrains. Rhyme scheme, aaa bbba ccca etc.
Click on Mr. Linky to read more poems.
Image credit: Roman Odintsov.
Universes and grains of sand Threading dreams, like daisies, by hand Unstrung the quicker when more grand.
I sought the visions of a dream Where suffering ends and life would seem Heavenly, as every soul would beam To see wishes fulfilled as planned.
Long I searched by day and by night Like Eldorado by the knight The end I sought grew dim not bright As all my hopes came to a stand.
Now gray and old, I do decry The day I fell for that old lie: Apart from God to live and die And build my towering hopes on sand.
Genre: Realism; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt
and limit our words to 100 or less.
Click on the frog to read more stories.
Trade-off
— It looks fabulous! — What does? — Isn’t that heaven? — Those are elevators. — Can I go on one? — No. You have to take the stairs. You don’t have a golden pass. — Why not? — You can’t afford it. — But I have money! — It’s not just money. It’s talking a certain way, shopping at the approved stores, socializing with the proper sort, voting for the prescribed party. — Well, I’ll do all those things then. — Okay. But first I have to tape your mouth shut, blindfold you, tie up your legs and lobotomize you. — And then I’ll get to take the golden elevators? — Yes. — Okay.
The night was thick with Southern mist the road steamed where darkness sifted
sweet desire: the devil smiles the basket away and disappears like will-o’-the-wisp
sifted, sifted my soul like chaff, alone at the crossroads looking after him
Mish at dVerse Poetics: "Always in Season" asks us to write about fruits or berries, giving us a broad flexibility of topic, from concrete to abstract. This poem was inspired by legendary blues singer and guitarist Robert Johnson's "Crossroads" (1936).
Rather queer really, how his eyes held the same question as my nestlings when they dared to look over the edge of their eyrie.
Here was a grown man suddenly struck by the mystery of being: “I see the eagle. The eagle sees me. We see each other. Why?”
This man meant nothing to me yet I pitied him as he drifted past on his piece of wood.
I raised my pinions, taking flight on the warm current of wind. There was only one mystery that mattered: how to know the One who freely gave us life.
Genre: Realism; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt
and limit our words to 100 or less.
Click on the frog to read more stories.
Cicindela sexguttata, also known as the green tiger beetle, Catoctin Mountain Park
It was my walk you were on hunting caterpillars, spiders and ants: cicindela sexguttata, tiger beetle after its prey in a flashy fluorescent kind of way
I stopped, you froze, neither of us camouflaged, me turmeric topped in white jeans, you in green metallic sheen me on all fours to examine you better you on all sixes to beat it if you had to
I exited stage left, you stayed put, focused, a cirque du soleil wanderer, stray spotlight hoarder ready to celebrate with a juicy meal of tang-colored butterfly puddling nearby
When comic relief: a crow flaps its wings while you race for your prey but your timing is late, the butterfly flutters off and I shout off the bird and you meander onward, a green blaze of disgust.
Join the dVerse poets as we write on "Creepies and Crawlies," for Poetics Tuesday.
A good and timely reminder from Rev. Shane Lems of Reformed Reader: “To Christians Who Are Suffering“. May our Lord use it to touch the hearts of the suffering with his unceasing mercy and grace.
For it is written, “Count it all joy, my brothers, when you meet trials of various kinds, for you know that the testing of your faith produces steadfastness. And let steadfastness have its full effect, that you may be perfect and complete, lacking in nothing” (James 1: 2-4).
Psalm 115:1 — Not to us, O LORD, not to us, but to your name give glory, for the sake of your steadfast love and your faithfulness!
There she was: I realized she was me crouched in the beating room, hateful she, a thing that cried piteously ugly she, crying stupidly, screwed up she, she ugly, she stupid, she dumb, nothing deserving.
Dark, glassy the room: no color, but a stink of loathing a stink of putrid fear, foul abhorrence disgust mirrored through the open door of midnight huddled waiting for the next well-deserved blow.
The rustling of leaves: standing many a time at the doorway dreaming she was never there, the she that was me this still-born excrescence, but now she, suddenly shielded with the cloak of pure light of the Ancient One, holy, whose right cannot be denied, his blood the price for she, for me.
Photo by Masha Raymers on Pexels.com
Romans 7:14-25 (NET) For we know that the law is spiritual – but I am unspiritual, sold into slavery to sin. For I don’t understand what I am doing. For I do not do what I want – instead, I do what I hate. But if I do what I don’t want, I agree that the law is good. But now it is no longer me doing it, but sin that lives in me. For I know that nothing good lives in me, that is, in my flesh. For I want to do the good, but I cannot do it. For I do not do the good I want, but I do the very evil I do not want! Now if I do what I do not want, it is no longer me doing it but sin that lives in me. So, I find the law that when I want to do good, evil is present with me. For I delight in the law of God in my inner being. But I see a different law in my members waging war against the law of my mind and making me captive to the law of sin that is in my members. Wretched man that I am! Who will rescue me from this body of death? Thanks be to God through Jesus Christ our Lord!
Romans 8:15 (NET) For you did not receive the spirit of slavery leading again to fear, but you received the Spirit of adoption, by whom we cry, “Abba, Father.”
2 Corinthians 3: 17-18 (NET) Now the Lord is the Spirit, and where the Spirit of the Lord is present, there is freedom. And we all, with unveiled faces reflecting the glory of the Lord, are being transformed into the same image from one degree of glory to another, which is from the Lord, who is the Spirit.
For dVerse: Poetics - Dungeons and Dragons, Sanaa asks that we "play a poetry game called,'Dungeons and Derivatives.' The idea here is to select one (from a list of eight sentences) and to change at least one word or more by replacing it with a derivative. Once you are done, unlock the muse from its dungeon and write a poem with the existing sentence." I chose the line from one of her poems which runs: “The rustling of leaves; I have stood many a time at the doorway of dreaming.” Click on Mr. Linky to read more and join in!
fare thee well, my sister fare thee well, my brother too well met this day to savor a spell of time to share
what see you in my path what see I in yours a cross laid upon our shoulders to follow in His steps
be gentle, sister, brother ours is not to judge called are we to tarry in comfort and in love
kneel and pray o sister kneel and pray today kneel and pray o brother Manna for this day
For He who died on Calvary is Bread of life to us and He has sent His Spirit to quench the thirst in us
now we rise to journey on our way again the time that we have tarried a well of joy has been
I’ll see you at the Wedding I’ll see you with the Lamb we’ll sing with great rejoicing never to part again.
I had just completed the next to the last verse when I received the news that my dear friend, A. J., had passed into glory. It was as if all the verses that had been written before were not a coincidence but had been a preparation for this, a reminder to all those who hear that our journey leads homeward to our heavenly Father, to God our Savior. “As it is written, ‘What no eye has seen, nor ear heard, nor the heart of man imagined, what God has prepared for those who love him’”— (1 Corinthians 2:9).
pax,
dora
image resource – https://www.lovethispic.com/image/56666/pathway-to-the-unknown
Join in Eugi's Weekly Prompt, "journey"
Genre: Realism; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt
and limit our words to 100 or less.
Click on the frog to read more stories.
Rivers
The first murder set it into motion, the river of death running red with blood, black with vengeance and lust. This rivulet was one of many winding their way past graveyards. At this bend, she kissed him goodbye for the last time. Just twenty and off to war.
“Yea, though I walk through the valley of death Thou art with me . . . .”¹
Once she had thought that death had the run of the land. Now sitting on the bank, praying with her daughter before beginning her home school lessons, she knew there was also a river of life.
1Psalm 23 [A Psalm of David.] (KJV)
The LORD [is] my shepherd; I shall not want. He maketh me to lie down in green pastures: he leadeth me beside the still waters. He restoreth my soul: he leadeth me in the paths of righteousness for his name’s sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou [art] with me; thy rod and thy staff they comfort me. Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the LORD for ever.
For with You is the fountain of life; in Your light do we see light. (Psalm 36:9)
Not Our Will, But Thy Will Be Done
Silvery strands, hair falls in brush-fulls one saint’s covering glory thread-bare every thread-count, hair-count numbered tears bottled, not nameless not in a warehouse, but in the house of the Lord, O En-hakkore, on Zion’s mount, where nations stream one day, El-Shaddai, that day don’t delay, Yahweh, that hour cry the faithful weeping from hospital beds prison cells, beside mass graves, the suffering martyrs, broken families soldiers and civilians mere fodder for power, numberless babes murdered in wombs: hear our prayers, O LORD our God, for the coming of Thy Son.
For today's dVerse Poetics, Ingrid asks us to "try to complete the poem as far as possible without writing it down. Think about the devices discussed above: regular rhythms, repeated phrases or ‘motifs’, alliteration and rhyme schemes – anything to aid the memory and help the words to flow....Make an audio/video recording of your poem and post it to your blog and/or transcribe your poem, so we can read the finished version." Click on Mr. Linky to join in and read more poems.
In his acclaimed novel, The Remains of the Day, Kazuo Ishiguro immerses us in the first-person narrator’s severely circumscribed life and worldview. His is a life of self-imposed limitations, aided and abetted by a strict adherence to the British class system, indeed his overweening pride in his “Englishness.” You might think he’s a member of the upper-crust. You would be wrong. Mr. Stevens is a butler who has bought into the quasi-heroic and mythical dimensions of his role as a dignified appendage to the high and mighty.
He takes pride in his clockwork management, attaining renown among butlers and employers alike. He spends a good bit of time telling us his definition of dignity and its value. He’s most careful regarding the proprieties of conversation, the attire of distinction, the observance of the caste system, and he unwittingly reveals the fictions necessary to support such a system.
The casual negligence of these mores shocks him. He lives and dies by the clock and the way things are. The future escapes him.
Stevens is also very conscious that his dignity is a borrowed dignity, a dignity conferred by his relationship to a peer of the realm, his employer Lord Darlington.
In this novel of manners, Ishiguro gives us something more than mere voyeurism. His butler, Stevens, is on an unwitting voyage of self-discovery. He’s shocked into it by the revelation that his erstwhile employer, Lord Darlington, like many of the aristocrats of his day, had been a Nazi sympathizer.
Stevens predictably retreats into self-deception; as Salman Rushdie points out in a review:
At least Lord Darlington chose his own path. “I cannot even claim that,” Stevens mourns. “You see, I trusted … I can’t even say I made my own mistakes. Really, one has to ask oneself, what dignity is there in that?” His whole life has been a foolish mistake, and his only defense against the horror of this knowledge is the same capacity for self-deception which proved his undoing. It’s a cruel and beautiful conclusion to a story both beautiful and cruel.
— “Salman Rushdie: Rereading The Remains of the Day by Kazuo Ishiguro,” The Guardian, 2012
Ishiguro’s more recent novel, The Buried Giant (2015) has more of the same pathos, blindness, self-deception, in the face of life’s extremities. If there’s any consolation in life for Ishiguro or Rushdie, it must be that it has its cruelties, but it has beauty as well, inviting a sanguine resignation that is far from satisfying. Beauty. Cruelty. They are more than mere aesthetics. They are a part of life, occupying categorical spaces in our hearts and minds. It’s what one puts into those categories that makes all the difference. Especially with regard to suffering.
