I want to give thanks today for all those who inspire us daily to live in faith, hope, and love.
Thank you for those who inspire us, as do Lewis and Madden, from very different generations, cultures, classes, life experiences, gender, color, and yet, one faith.
Two communicators in two different mediums.
C. S. Lewis (“Jack”) through his words on a broad canvas of scholarship, Christian apologetics, and science fiction and fantasy works. Tamara Natalie Madden through the portraits she lovingly brushed on a painter’s canvas, where people emerged from their ordinary guises to reveal the immortal souls they bore.
Jack died on this day in November 1963 at the age of 64 in Oxford. Tamara died on November 4, 2017 at the age of 42 in Atlanta, succumbing to cancer after suffering from illness much of her life.
Jack lost his mother at the age of nine and, having married late in life, his wife Joy after only four years of marriage. Tamara received a kidney transplant by “the grace of God”1 that enabled her to live another seventeen years painting and writing, counting “survival from illness, and my willingness to listen to God and pursue my art”2 her greatest achievement.
Both artists remind us not to take ourselves too seriously, or others too lightly. Tamara clothed her subjects in the colorful African and Indian fabrics of royalty. Jack read every one of the hundreds of letters he received from the Christian and non-Christian readers of his books, and replied to each one by his own hand with unfailing kindness and courtesy.
What a blazing legacy they have left us, to live brightly, however briefly, whatever our challenges, heightening our vision to see we are all royalty, bearing the image of God. We are all immortal and destined for immortal ends.
“Each piece of art is an allegory that represents the soul and spirit of the individual. Their regal state embodies all that is often hidden and overlooked. My work is not about egoism; it is about empowerment of the spirit and recognition of the beauty within. The golden headpieces worn by all of the subjects in my paintings represent mystical crowns, halos, armor and weaponry for the spiritual warriors. The birds in my paintings are symbolic of my personal struggle with illness and a representation of my survival and freedom from it.”Tamara Natalie Madden3
“It is a serious thing to live in a society of possible gods and goddesses, to remember that the dullest most uninteresting person you can talk to may one day be a creature which,if you saw it now, you would be strongly tempted to worship, or else a horror and a corruption such as you now meet, if at all, only in a nightmare. All day long we are, in some degree helping each other to one or the other of these destinations. It is in the light of these overwhelming possibilities, it is with the awe and the circumspection proper to them, that we should conduct all of our dealings with one another, all friendships, all loves, all play, all politics. There are no ordinary people. You have never talked to a mere mortal. Nations, cultures, arts, civilizations – these are mortal, and their life is to ours as the life of a gnat. But it is immortals whom we joke with, work with, marry, snub, and exploit – immortal horrors or everlasting splendors. This does not mean that we are to be perpetually solemn. We must play. But our merriment must be of that kind (and it is, in fact, the merriest kind) which exists between people who have, from the outset, taken each other seriously – no flippancy, no superiority, no presumption.”C.S. Lewis, The Weight of Glory and Other Addresses (1949)
1Denise Lee, “Interview with Jamaican Painter, Tamara Natalie Madden” (2009)
2Afri-Love.com, “Interview with artist Tamara Natalie Madden” (2010)
3ArtsAtl.org, November 16, 2017
H/t At Sunnyside for introducing me to Madden’s art.