Advent Cry (based on Psalm 18)

I wept and You heard me
I cried out and You helped me
I knew no rest, only loss; to You
O LORD, I stretched my hands:

“I have no words
No pleas to offer
The wind is strong
My breath is gone

There is the desert
Where there’s no succor
Here is the sea
Where I will drown

Unless You come
To deliver
The world will take
The life you own.”

So I cried and in love You answered
You came down from Heaven’s splendor
Down, down, down as it was written,
Born of virgin, clothed in flesh.

From cords of death You unbound me
Shedding Your blood to release me
Nailed to a cross my guilt You bore for me
From the grave rising my life You saved.

Now I stand on solid ground
Upon the Rock You set me on
All the darkness flees before me
As with Your light I abound.

Like a deer upon Your holy mountain
New heights of glory I can see
Though rising waters still pursue me
Lord, my eyes are set on Thee.

Come, then, Jesus, as once before
You came Your children to deliver
Now return and never leave us
On that Day when all floods cease.


image credit: Gersom Clark

The Prisoner

[A Short Story]

“When’d he stop talking?” asks the new inmate, staring at the gargantuan man working his mouth on a wad of gum and carting the cell block’s laundry, a mountain of a man encased in glacier-like silence.

“Hasn’t opened his mouth from when they brung him in back in ‘73,” Sully answers, shaking his head, “but he sure as heck works that jaw of his on that gum, never without it, like he’s gotta be chewing on something or somebody he’s got it in for.”

“They got him locked up like a vault, I heard ‘em say, murdered too many for comfort ….”

“More like spliced,” Sully interrupts softly, “cutting up their body parts, reworking ‘em into something unnatural so as you wouldn’t know what they were made to be in the first place.”

“But the cat got his tongue?!”

They laugh, until suddenly he turns to face them, and in the chilling clarity of revelation, they look away, stiff with terror, speechless.


The power of language is no small thing in Dante’s writings. Language is a gift of God, a blessing unique to man. When abused it becomes a curse, as with the Tower of Babel when in his pride man misused his speech to defy rather than honor God. In The Divine Comedy Nimrod and his fellow giants of that time are condemned in Hell to not only chains but to speak gibberish, incomprehensible even to themselves. I’ve mentioned in other posts how honey-tongued Ulysses speaks with Dante, as do many others in the Inferno, showing by their speech alone the manner of their thought while on earth. Both the ambiguity and precision of rhetoric as art is on display here.

Pieter Brueghel the Elder, The Tower of Babel (1563), oil on panel,

Yet there are times when language gives way, as when in Canto 32, Dante is met with the sight of the lowest circle of hell where there is no burning fire, only cold, hard ice.

Had I the crude and scrannel rhymes to suit
the melancholy hole upon which all
the other circling crags converge and rest,

the juice of my conception would be pressed
more fully; but because I feel their lack,
I bring myself to speak, yet speak in fear;

for it is not a task to take in jest,
to show the base of all the universe-
nor for a tongue that cries out, “mama,” “papa.”

Inferno, Canto 32, ll. 1-9, tr. Mandelbaum

The language that utters familiar words of love falls short of this landscape, a vast frozen lake, at the center of which stands Satan, each of his three heads (in an unholy parody of the Trinity) chewing on a traitor, Judas, Casius, and Brutus. The only sounds are the cries of the treacherous who are damned here, planted variously about in the ice.

Twice in his Commedia Dante experiences the utter failure of language to convey the sublime: first, the horror of this frozen landscape with Satan at its center, and then in Paradiso when he receives the beatific vision.

What he sees in the icy core of hell makes him cry out,

O reader, do not ask of me how I
grew faint and frozen then-I cannot write it:
all words would fall far short of what it was.

I did not die, and I was not alive;
think for yourself, if you have any wit,
what I became, deprived of life and death.

The emperor of the despondent kingdom
so towered from the ice, up from midchest,
that I match better with a giant’s breadth

than giants match the measure of his arms;
now you can gauge the size of all of him
if it is in proportion to such parts.

If he was once as handsome as he now
is ugly and, despite that, raised his brows
against his Maker, one can understand

how every sorrow has its source in him!

Inferno, Canto 34, ll. 22-37, tr. Mandelbaum
Illustration by Gustave Doré

Unlike Milton’s Satan, Dante’s Satan is silent, dumb with fury, powerful but imprisoned and, worst of all from his perspective, a means of the pilgrim’s ascent, as following his guide Virgil, Dante makes use of Satan’s hairy legs as the only way to climb downward in order to re-emerge upwards in the opposite hemisphere and into the light of the stars above once more.


See Denise's Six Sentence Story Prompt for more stories using the word "vault" or click here.

Snowballs in the Snow

Love:

let me be
your candy
sweet fantasy

of reindeer snow
of red-nosed glow
from snowball throw

aimed happy crazy
on mouth soft and saucy
and your eyes that melt me

gleam a Southern summertime
of delicious crime
as time spins on a dime.


A recipe for Peanut Butter Snowballs (pictured above) is here. Of course the earliest reference to peanut butter can be traced back to the Aztecs who would not have been acquainted with snow. Written for dVerse’s Quadrille (44 words, “candy”).

Gaudete: Rejoice!

Jyoti Sahi (1944–), Holding the Flame of Fire, 2005. Kolkata, India.

Being found by You, I find everything:
the sky a brighter blue, the leaves a happier hue
of glistening green, the river’s melodious

sounds rising high and low, bandying mountain notes
to valley tunes, and sun-washed strands of ocean
shores joining moon-drawn tides of marshalled harmony.

Being known by You, I know everything:
Love stronger than Death, darkness overcome by Light,
Peace past understanding, Hope unbounded, Joy unspeakable,

Faith that Hell’s gates will assail in prayer, Strength of soul,
Patience through trials, Your Life eternal flowing
through me, Your Blood that washed every stain of sin.

Being loved by You, no other love compares:
not love of man or woman or child; not the charms of all
the world’s delights, not health nor fortune, not lands

nor houses, neither knowledge of every secret
on earth or above it, nor wisdom to confound
and bring to their knees every earthly might and power.

There’s nothing on earth for me if not for You:
there’s nothing in heaven if You be not there:
Mary’s little baby boy would be just another child

if he had not been You come down to earth, taking
on our flesh, suffering on earth the plight that is ours,
to give to us, Your children, by faith the glory that is Yours.

Maranatha.


The third Sunday of Advent is known as Gaudete Sunday.

Gaudete, 16th Century Christmas Carol (wikipedia)

From Black Ship to Ferry and Never Home Again

[A Short Story]

I unravel from my winding sheet for that is what it is, this flesh which harbors my soul in the same way my soul embraced the flesh in its wanderings like Ulysses aboard his black ships.

As I do, I spy my body at a slowly retreating distance, see its supine figure like a sculpture by Rodin, no, strike that, more like a painting by Caravaggio, the one of Paul struck down on his way to Damascus, every strained muscle in his body and lineament of his face expressing brute confrontation with Truth.

Yes, I capitalized it, or Him, Truth, a living Being, the source and embodiment of the absolute by virtue of His aseity and omnipotence, against whom I thought I could compete with my own truth, small case, t-r-u-t-h, to my own demise when I took up arms against any who would tell me not to heed the siren’s call, or the call of that master rhetorician Ulysses, alive in every age, in every town, in every social circle, school, temple or townhall, the sly, polished poet, a borrower or thief with pockets full of gold who says, “Let’s see what’s out there, so much to see, so much to experience, and oh, the things we’ll learn as we range unanchored to any known shore, pushing that thin envelope of body and spirit to the limit!”

He offered what we all yearn for, knowledge of the world, a wisdom that ordinary people (how we despise them!) in their ordinary little lives could never hope to find, when there’s a world of pure epicurean adventure led by your captain, my captain, let’s call him Ulysses.

I was twenty-nine, hardly naïve, yet naïve as a voter with a politician spinning promises, and so I left my home and went with him, my Ulysses, as ready as he with wit to parley at every Areopagus, eager to hear or spin every newfangled tale ever told, see every exotic sight to behold, by plane, by train, oh, the places to go, to experience every esoteric fad and sensation, and everywhere the dawn rose to the rooster’s call of Carpe diem and the night fell on the cries to transgress, transgress, every boundary, every limit, until my soul gave way from its moorings at the realization that I had gained nothing but lost everything.

Soon I’ll leave for Charon’s Ferry and I wish now – too late — for just one more voyage: a voyage I’ll never know.


Denise's Six Sentence Story Word Prompt is "range" so naturally my thoughts flew to that free-ranging (anti-)hero Ulysses and his place in Canto 26 of Dante's Inferno, Commedia. 

Canto 26 is one of my favorite cantos in the Inferno, so much being said here by Dante, revealing how much he too is tempted by the same passion as Ulysses whose supple philosophical genius and rhetorical skills are used to deceive the Trojans and ultimately lead to the doom of his own men as he leaves Ithaca, his home. They sail beyond the gates of Hercules where he and his men spy Mount Purgatory before “a whirlwind rose and hammered” at their ships sending them plunging beneath the ocean waves.

Continue reading “From Black Ship to Ferry and Never Home Again”

An Absent Parent on Advent Sunday

She’ll be singing, “Lo,
How a Rose E’er Blooming”
But I won’t hear it
Her voice so dulcet
Her face pink, all aglow.

To God she’ll give the glory
As her heart attuned soaring
Sings out its praise
Sad hearts to raise
To Him our Savior and our joy.

Somehow I’ll know, my spirit sense
The words when she is singing
Rejoicing knowing
In Christ she’s growing
And that makes all the difference.

Now to him who is able to establish you in accordance with my gospel, the message I proclaim about Jesus Christ, in keeping with the revelation of the mystery hidden for long ages past, but now revealed and made known through the prophetic writings by the command of the eternal God, so that all the Gentiles might come to the obedience that comes from faith– to the only wise God be glory forever through Jesus Christ! Amen.

Romans 16:25-27 [NIV]

Galo Ocampo (Filipino, 1913–1985), Nativity, late 1930s.
Oil on canvas. UST Museum, Manila, Philippines.

Lo, How a Rose E’er Blooming
(15th c. German, trans. Theodore Baker)

Lo, how a Rose e’er blooming
From tender stem hath sprung!
Of Jesse’s lineage coming
As men of old have sung.
It came, a flower bright,
Amid the cold of winter
When half-gone was the night.

Isaiah ’twas foretold it,
The Rose I have in mind:
With Mary we behold it,
The virgin mother kind.
To show God’s love aright
She bore to men a Savior
When half-gone was the night.

This Flower, whose fragrance tender
With sweetness fills the air,
Dispels with glorious splendor
The darkness everywhere.
True man, yet very God,
From sin and death He saves us
And lightens every load.

Continue reading “An Absent Parent on Advent Sunday”

The Medka

The nurses flocked, they flocked to me
              like jackdaws thirsting
And me without a jaw left behind
              in the mouth of a Kamchatka brown bear
Airlifted and onto trolleys, recomposing surgeries
              discomposed, composing
(Is my jaw now compost? Half my face for gruel)
              their reinvention with chalk lines drawn
And I with hymns and old prayers, half-remembered
              in dragon’s mist, tamping
Down hysteria, breathing, breathing, wondering
              at my new name, Even-given, transfigured
By suffering into medka, call me medka, half-
              human, half-bear,
Conflated by misunderstanding, or was it evil,
              this force of Nature’s kiss
Which bit off more than it could chew at one sitting,
              to make of an anthropologist
A believer in transfiguration, to wish for the Other
              when left to the mercy of human hands.


N.B. This poem is solely my personal interpretation based on what I’ve read in reviews of a recent book by Nastassja Martin, an anthropologist studying the indigenous Even people of Siberia, in which she recounts her experiences after a Kamchatka bear “went off with a chunk of my jaw clenched in his own.”

Continue reading “The Medka”

An Experiment in Poetry (A Cut-up)

What can be made of a poem which solely uses the last lines of other poems? Today’s dVerse challenge prompts us to construct just such a poem (or hodge podge or call it what you will) and I was curious what would follow. So I used the last lines of the first twelve poems in Margaret Atwood’s latest book of poetry, Dearly, (without alteration, only enjambment and lower-case) and this is what I got. Make of it what you will, but it goes to show that there is a resonance in words that builds on the generosity of a poem’s ambiguity and particularly the reader’s generosity as well. And such a cut-up technique plays on that to more or less affect.

Dear Reader, you decide.


An Experiment in Poetry (with apologies to Margaret Atwood)

hearts
hurt

not quite
cursed if she smiles or cries

the candle guttering down
I’ll give dry light

turn the key. Bar the window
let there be plot

why can’t I let her go?
isn’t it pretty, back there?

as Heaven always is,
if you read the texts closely

remember me
sing: On

Journeying on Geryon

PHOTO PROMPT © Roger Bultot
Join us at Rochelle's Friday Fictioneers (100 words, photo prompt) 
and Denise's Six Sentence Story ("meter"). Click  and  to join the fun.

Journeying on Geryon

Dante’s Inferno lies open as I sleep.

On winged Geryon we descend into the infernal sublime of fraudsters, flatterers, the treacherous, their earth-borne bullshit stench exceeded here by that of countless privies.

Geryon’s human face seems kindly, despite his serpentine body and scorpion tail, and I ask: “Geryon, will I recognize anyone in the Malebolge, this place of stone?”

He, answering sweetly in steady meter: “Nay, why, for art thou not too clever for such?”

I relax, then gasp, as he drops me in the mire.

Alas, it’s not as one living but as one damned to her final destination.


Illustration by Gustave Doré 1867, The Flight of Geryon.

In Canto XVII of Dante’s Inferno, the pilgrim Dante and the poet Virgil, his guide, ride on the back of the monster Geryon to descend from the seventh to the eighth circle of hell in the third ring of hell, the Malebolge. It is described in this way in the next canto:

There is a place in Hell called Malebolge,
made all of stone the color of crude iron,
as is the wall that makes its way around it.

Right in the middle of this evil field
is an abyss, a broad and yawning pit,
whose structure I shall tell in its due place.

The belt, then, that extends between the pit
and that hard, steep wall’s base is circular;
its bottom has been split into ten valleys.

Just as, where moat on surrounds a castle
in order to keep guard upon the walls,
the ground they occupy will form a pattern,

so did the valleys here form a design;
and as such fortresses have bridges running
right from their thresholds toward the outer bank,

so here, across the banks and ditches, ridges
ran from the base of that rock wall until
the pit that cuts them short and joins them all.

This was the place in which we found ourselves
when Geryon had put us down; the poet
held to the left, and I walked at his back.

The Divine Comedy – tr. Mandelbaum – Cantica I – Canto XVIII
Sandro Botticelli (1480), Inferno, Canto XVIII

This Long November Day

This long November day
unravels, filaments of self
unthreaded spin in disarray
seek a coalescing glance
from Thee, my soul’s desire.

This long November night
defeats, malingers yesterdays
that moon in shallow doorways
guilt-shadowed, hammering refrains
that only Thy voice can silence.

Hasten to send Thou, Oh Lord, Thy Word,
Thy Light by day, by night, my sight
unblind, my thought overspread, unroll
yard by yard Thy seeded spring
in frozen heart by Thy Spirit’s warmth.

And then shall November night become
as day, November day as night unfurled
in Thy blanketing love, and like a traveler
who spies a bridge o’er torrents harsh, I’ll race
to cross encircling time, and so abide in Thee.

An Advent Song (For the First Sunday of Advent)

ADVENT STARRY NIGHT 5, Virginia Wieringa, Acrylic 2011

An Advent Song

Clothed in the armor of Your light
We walk by faith throughout the night
As darkness fades, so all earthly fear
With the long-awaited dawn, when You appear.

All the prophets spoke was true
All that they prophesied of You
We knew it then, we know it now
That every knee before You one day will bow.

In the fullness of time You came
As babe in manger, Jesus by name
Now ascended King, when You departed
You left us not alone, but the Holy Spirit imparted.

Yet out of our sight You reign on high
Until that day when You again come nigh
The dawn of that day we will shout and cheer
Not an eye will be dry when You, O Lord, draw near!

Now, Father, keep us faithful and strong
Singing ever onwards the Gospel song
Knowing it is the power of God to save
By believing in His Son whom to us You gave.


Romans 1:16 (NIV) For I am not ashamed of the gospel, because it is the power of God that brings salvation to everyone who believes: first to the Jew, then to the Gentile.

Galatians 4:4-6 (NASB) But when the fullness of the time came, God sent forth His Son, born of a woman, born under the Law, so that He might redeem those who were under the Law, that we might receive the adoption as sons. Because you are sons, God has sent forth the Spirit of His Son into our hearts, crying, “Abba! Father!”

Lyrics: Psalm 121 (sung in Arabic) I lift up my eyes to the mountains— where my help comes from My help comes from the Lord, the Maker of heaven and earth. He will not let your foot slip— he who watches over you will not slumber; The Lord watches over you— the Lord is your shade at your right hand; the sun will not harm you by day, nor the moon by night. The Lord will keep you from all harm— he will watch over your life; the Lord will watch over your coming and going from now until the end of time

In the malpaís

malpaís (spanish: mahl-pah-ees; lit. “badland”): an arid, rough barren landscape of lava flows difficult to traverse; image: A Juniper bush grows out of the lava beds at the Carrizozo Malpais

In the malpaís – the badland –
burning – a bird flew down
And on my right hand sat

His eyes spoke love, so complete
His feathers gentle gleamed, so glorious
Where sun beat heavy in the malpaís

His kingly talons dug into my flesh
Scored pain, bled wounds, I cried
scorched by heat in the malpaís

Yet the good song he sang as I died
Was one that filled my heart with joy,
With peace ne’er felt in the malpaís

In the malpaís – waiting –
once hopeless, condemned –
With my last breaths, enlivened I rise

Bald Eagle at El Malpais, New Mexico

Lamentations 3:16-25
He has made my teeth grind on gravel, and made me cower in ashes;
my soul is bereft of peace; I have forgotten what happiness is;
so I say, “My endurance has perished; so has my hope from the LORD.”
Remember my affliction and my wanderings, the wormwood and the gall!
My soul continually remembers it and is bowed down within me.
But this I call to mind, and therefore I have hope:
The steadfast love of the LORD never ceases; his mercies never come to an end;
they are new every morning; great is your faithfulness.
“The LORD is my portion,” says my soul, “therefore I will hope in him.”
The LORD is good to those who wait for him, to the soul who seeks him.

Romans 15:8-13
For I tell you that Christ became a servant to the circumcised to show God’s truthfulness, in order to confirm the promises given to the patriarchs,
and in order that the Gentiles might glorify God for his mercy. As it is written,
“Therefore I will praise you among the Gentiles, and sing to your name.”
And again it is said, “Rejoice, O Gentiles, with his people.”
And again, “Praise the Lord, all you Gentiles, and let all the peoples extol him.”
And again Isaiah says, “The root of Jesse will come, even he who arises to rule the Gentiles;
in him will the Gentiles hope.”
May the God of hope fill you with all joy and peace in believing,
so that by the power of the Holy Spirit you may abound in hope.

Confession of a Bibliopole

*A bibliopole is a person who buys and sells books, especially rare ones.

This Dream recurs — I am the Bird —
Neither the Darkness — nor the Light —
Ranging over Estates of books
Endless — See one Book — now Ubiquitous — contains Life
Lights the Path —while others
Sound
Characterize
Reflect
Darken
Never overcome the Light


A recent post by a fellow blogger1 awakened me yet again to issues of abuse. Extremes of reaction and behavior caused by past abuse. Impossibly high standards it engenders. Unrealistic expectations. Childhood scars that reopen and bleed. Shedding these old habits of thought/behavior and clearing our lungs of them by achieving moderation does take time … but particularly time in the word of God. Diving deep and long, letting the Holy Spirit fill our lungs with His love so we can breathe more easily in our own skin. Theology is not a luxury but a necessity that God alone can provide through the special revelation that is His inerrant and infallible word. Through it we come to know that He is the Rock that is higher than all others, as the psalmist puts it, a fortress of peace, stability and safety. But more: He gives life, abundant life, His own, by uniting us with Himself, Emmanuel, God with us, the incarnate God, Christ Jesus. Finally, union with Christ is God’s divine life poured into us by His Spirit and we become a new creation, leaving the past behind, following a new path that leads to life eternal, and pressing on “toward the goal for the prize of the upward call of God in Christ Jesus.”2

Psalm 119:105 (KJV)
Thy word [is] a lamp unto my feet, and a light unto my path.

John 8:12
Again Jesus spoke to them, saying, “I am the light of the world. Whoever follows me will not walk in darkness, but will have the light of life.”

John 1:5
The light shines in the darkness, and the darkness has not overcome it.

John 6:68
Simon Peter answered him, “Lord, to whom shall we go? You have the words of eternal life,

2 Corinthians 5:17
Therefore, if anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come.

2Phillipians 3:12,14
Not that I have already obtained this or am already perfect, but I press on to make it my own, because Christ Jesus has made me his own. … I press on toward the goal for the prize of the upward call of God in Christ Jesus.


1Anna Waldherr writes at A Voice Reclaimed, Surviving Child Abuse: her most recent post is “Of Ogres and Onions”

Continue reading “Confession of a Bibliopole”

Under Dust

Found on a flyleaf: “Awarded to Fanny for an Essay on ‘What I saw during my trip to the orphanage’. Sept 19111

John Atkinson Grimshaw (1836-1893), “November Moonlight”

The art book when I find it
is pristine with dust, a gray snowfall,
only the flurries fall upward in the sunlight

defying gravity, defying the orderly Milky Way
of my existence, its fixed planetary motions
with phantoms of metaverses like motes

in my eyes: Marcel² says, “leave it under the bed”:
but the plank is in his eye: this dust is
important as marble, a tombstone in the tundra

of which I am custodian, and I hate the gloved hand
that gave it and know the open hand that received it
and I would not disturb the fixed leaves

that shelter the child who murmurs “dada”
then “rosebud”
then dies.

Man Ray, Dust Breeding (Dust over work by Marcel Duchamp), ca. 1920

1Inscription (with edit) from The Book of Inscriptions Project

2French artist/writer Marcel Duchamp let dust collect in a spot under his bed (he called it “growing dust”), instructing his maid not to clean it.

Continue reading “Under Dust”

Dante’s Prayer

I hear the call, Eternal, sound in my heart and in the stars.
Is it timeless or infinity itself? Is its Voice a song?
I do not question, so much yet to understand and I am not able.

I only respond in gratitude, though one-legged in faith still hobbling,
letting go finger by finger my pride,
and taking up, hand after hand, my cross of self-denial.

For this Eternal is Love.


By Purgatorio, Canto 11 of the Commedia, Dante the pilgrim has exited Hell and entered purgatory by permission of the angel at the gate who uses two keys, one silver (remorse) and one gold (reconciliation). As he and his guide, the poet Virgil, enter they are warned not to look back at any point in the journey up through the terraces of purgatory to the Garden of Eden. In Purgatorio, Canto 10, Dante had seen examples of humility. Now on the first and lowest terrace he sees souls of the proud bent over by large stones they carry on their backs, due penance for their sin of Pride, of which there are three kinds: pride of family, pride of art, and pride of power.

Federigo da Montefeltro, Divina Commedia, ca. 1478.
Purgatorio, Canto XI: The Prideful. – Source

Purgatorio is filled with the prayers of souls as they ascend the terraces. And Canto 11 opens with the only complete prayer which is really an expanded version or gloss of The Lord’s Prayer (Matt. 6: 9-13; Luke 11: 2-4).

“Our Father, You who dwell within the heavens

but are not circumscribed by them out of

Your greater love for Your first works above,


Praised be Your name and Your omnipotence,

by every creature, just as it is seemly

to offer thanks to Your sweet effluence.


Your kingdom’s peace come unto us, for if

it does not come, then though we summon all

our force, we cannot reach it of our selves.


Just as Your angels, as they sing Hosanna,

offer their wills to You as sacrifice,

so may men offer up their wills to You.


Give unto us this day the daily manna

without which he who labors most to move

ahead through this harsh wilderness falls back.


Even as we forgive all who have done

us injury, may You, benevolent,

forgive, and do not judge us by our worth.


Try not our strength, so easily subdued,

against the ancient foe, but set it free

from him who goads it to perversity.”

Dante Alighieri, Purgatorio, Canto X1, lines 1-21, transl. Alan Mandelbaum
Gustave Doré, Dante Alighieri’s Commedia, The Beatific Vision (1880)

The Commedia ends with Paradiso where Dante receives the beatific vision: “The Love that moves the other stars” (l’amor che move il sole e l’altre stelle). As Giuseppe Mazzotta notes, Inferno and Purgatorio also end with stelle. “So when Dante says that love moves the sun and other stars, what he’s really doing is placing himself immediately right back on earth, back at the beginning of his quest. He’s here with us looking up at the stars.”

Continue reading “Dante’s Prayer”

Last Testimony

Rainbow feather-bearers,
winged busy trilling wonders
rest on stout Sequoia shoulders

arcing out in providential shelter
with canopy of ancient splendor
slain when commerce cuts asunder

felled history’s immanence
felled unwritten covenants
felled ringed testaments

fell sight of heaven
fell curse east of Eden.

Fallen Giant Sequoia Redwood tree Loggers with felled Redwood circa 1905
A fallen giant Redwood tree with 14 loggers around a large Redwood tree
Humboldt County, Lumber industry, circa 1905
Photographer: Jesse A. Meiser (1870-1939) Monterey County Historical Society

For Sherry's "Tongues of Falling Trees" earthweal prompt
and De's dVerse Quadrille (44 words, "wing")

A Cynic’s Prayer

Image credit; Pavel Danilyuk@ Pexels

I don’t believe in you, don’t freak out,
god(s), or demi-gods, or goddess,
lol, you’re just words to me, like
psy
cho
lo
gy, (read it, it’s in a book)
of wanting things I can’t have,
help when I need it
a step up, a step down
a shout out, a call down,
but I’m too smart for you
I’ve
got
all
I
need
in
me, don’t fool yourself
that I’m praying when I’m posing
and rit-
ual-
izing,

Continue reading “A Cynic’s Prayer”