“It was a stark surprise of loss,” she wrote, and then she stopped, her hand stilled on the backlit keys her eyes glued to the screen
where suddenly the lines misted, metamorphosed in rain, the world becoming watery, a deluge full of pain.
She wiped her cheeks, she rose, she paced, she spun about the room, though memories of a dream-like shore outran her pleas for peace.
Into her words she’d poured her heart, into the poems she wrote but from them she no longer found the comfort that she sought.
None came but one, a fiery flare that lit the distant sky as if it came in search of her, a foundling lost to claim.
“What joy is this, what Guest on high has chosen this black night, to show His love, to set alight my dark and stormy heart?”
She cried, and in her joy she found a new theme to set down by psalm-borne winds she softly sang of things divine, unseen.
Christina Rossetti, painting by John Brett, 1857 (Oil on canvas Private Collection)
Old and New Year Ditties by Christina Rossetti(1830-1894)
1.
New Year met me somewhat sad: Old Year leaves me tired, Stripped of favourite things I had, Baulked of much desired: Yet farther on my road today God willing, farther on my way.
New Year coming on apace What have you to give me? Bring you scathe, or bring you grace, Face me with an honest face; You shall not deceive me: Be it good or ill, be it what you will, It needs shall help me on my road, My rugged way to heaven, please God.
2.
Watch with me, men, women, and children dear, You whom I love, for whom I hope and fear, Watch with me this last vigil of the year. Some hug their business, some their pleasure scheme; Some seize the vacant hour to sleep or dream; Heart locked in heart some kneel and watch apart.
Watch with me, blessed spirits, who delight All thro’ the holy night to walk in white, Or take your ease after the long-drawn fight. I know not if they watch with me: I know They count this eve of resurrection slow, And cry, “How long?” with urgent utterance strong.
Watch with me, Jesus, in my loneliness: Tho’ others say me nay, yet say Thou yes; Tho’ others pass me by, stop Thou to bless. Yea, Thou dost stop with me this vigil night; Tonight of pain, tomorrow of delight: I, Love, am Thine; Thou, Lord my God, art mine.
3.
Passing away, saith the World, passing away: Chances, beauty and youth sapped day by day: Thy life never continueth in one stay. Is the eye waxen dim, is the dark hair changing to grey That hath won neither laurel nor bay? I shall clothe myself in Spring and bud in May: Thou, root-stricken, shalt not rebuild thy decay On my bosom for aye. Then I answered: Yea.
Passing away, saith my Soul, passing away: With its burden of fear and hope, of labour and play; Hearken what the past doth witness and say: Rust in thy gold, a moth is in thine array, A canker is in thy bud, thy leaf must decay. At midnight, at cockcrow, at morning, one certain day Lo the bridegroom shall come and shall not delay: Watch thou and pray. Then I answered: Yea.
Passing away, saith my God, passing away: Winter passeth after the long delay: New grapes on the vine, new figs on the tender spray, Turtle calleth turtle in Heaven’s May. Tho’ I tarry, wait for Me, trust Me, watch and pray. Arise, come away, night is past and lo it is day, My love, My sister, My spouse, thou shalt hear Me say. Then I answered: Yea.
This poem was originally published in Goblin Market and Other Poems (Macmillan, 1862) and appears in The Complete Poems by Christina Rossetti (Penguin, 2001). It is in the public domain.
I wrote the top poem in honor of Christina Rossetti whose poetry stirs readers and poets alike with their psalm-like appeal, as “Old and New Year Ditties,” on the cusp of a new year. Join us at Denise’sSix Sentence Story (using prompt word “surprise”). To my blog visitors, have a Happy New Year, one full of love and peace.
A short story of 100 words (for Rochelle’s Friday Fictioneers using photo prompt) and in six sentences (for GirlieonEdge’s Six Sentence Story, “knot”).
Remember the bell-ringer, Sundar! Mummy, just now I’m trying to find . . . !
There once was a bell-ringer whose job it was to . . . ring the bell at dawn announcing Christmas.
He was born without . . . no, born with a heart of gold that shone . . . and stomach in knots he’d walk remembering Christ Jesus, all alone, in the dark town past sleeping people.
Look up, Sundar, you’re almost there and . . . I can see you, Mummy, I can see you!
——— NEWS ALERT: Elderly man found dead in church bell-tower.
O LORD, sheer joy with you, Israel, in exile Homeward bound From among a people of strange tongue Gone forth in sheer joy
Shouting Hallelujah! Out of Egypt have I gone forth with you, True and Faithful by name In sheer Joy!
How heavy the moment Is with eternity, Lord Jesus, Yet each flows after the other Like water escaping The hand that captures The eyes that see The thoughts that would knot Them into a jeweled chain To be adorned not as memory But as presence
Cradled birth, my life in your hands: Tenderly kept as shepherd with lamb Hurrying at angelic proclamations of peace Heavens ringing hallelujahs Your delight brooding over the waters Breaking over this new life, moments Spirit-born
When come the magi bearing each — On a camel fresh out of the box Of ornaments and sweet scents Frankincense and myrrh unpacked — Mystery like knots unraveling sheer
Joy, O Lord! You give each new Moment flowing rapidly bringing you Nearer, sheer joy as I await the Long-awaited coming in sheer joy!
I wept and You heard me I cried out and You helped me I knew no rest, only loss; to You O LORD, I stretched my hands:
“I have no words No pleas to offer The wind is strong My breath is gone
There is the desert Where there’s no succor Here is the sea Where I will drown
Unless You come To deliver The world will take The life you own.”
So I cried and in love You answered You came down from Heaven’s splendor Down, down, down as it was written, Born of virgin, clothed in flesh.
From cords of death You unbound me Shedding Your blood to release me Nailed to a cross my guilt You bore for me From the grave rising my life You saved.
Now I stand on solid ground Upon the Rock You set me on All the darkness flees before me As with Your light I abound.
Like a deer upon Your holy mountain New heights of glory I can see Though rising waters still pursue me Lord, my eyes are set on Thee.
Come, then, Jesus, as once before You came Your children to deliver Now return and never leave us On that Day when all floods cease.
“When’d he stop talking?” asks the new inmate, staring at the gargantuan man working his mouth on a wad of gum and carting the cell block’s laundry, a mountain of a man encased in glacier-like silence.
“Hasn’t opened his mouth from when they brung him in back in ‘73,” Sully answers, shaking his head, “but he sure as heck works that jaw of his on that gum, never without it, like he’s gotta be chewing on something or somebody he’s got it in for.”
“They got him locked up like a vault, I heard ‘em say, murdered too many for comfort ….”
“More like spliced,” Sully interrupts softly, “cutting up their body parts, reworking ‘em into something unnatural so as you wouldn’t know what they were made to be in the first place.”
“But the cat got his tongue?!”
They laugh, until suddenly he turns to face them, and in the chilling clarity of revelation, they look away, stiff with terror, speechless.
The power of language is no small thing in Dante’s writings. Language is a gift of God, a blessing unique to man. When abused it becomes a curse, as with the Tower of Babel when in his pride man misused his speech to defy rather than honor God. In The Divine Comedy Nimrod and his fellow giants of that time are condemned in Hell to not only chains but to speak gibberish, incomprehensible even to themselves. I’ve mentioned in other posts how honey-tongued Ulysses speaks with Dante, as do many others in the Inferno, showing by their speech alone the manner of their thought while on earth. Both the ambiguity and precision of rhetoric as art is on display here.
Yet there are times when language gives way, as when in Canto 32, Dante is met with the sight of the lowest circle of hell where there is no burning fire, only cold, hard ice.
Had I the crude and scrannel rhymes to suit the melancholy hole upon which all the other circling crags converge and rest,
the juice of my conception would be pressed more fully; but because I feel their lack, I bring myself to speak, yet speak in fear;
for it is not a task to take in jest, to show the base of all the universe- nor for a tongue that cries out, “mama,” “papa.”
Inferno, Canto 32, ll. 1-9, tr. Mandelbaum
The language that utters familiar words of love falls short of this landscape, a vast frozen lake, at the center of which stands Satan, each of his three heads (in an unholy parody of the Trinity) chewing on a traitor, Judas, Casius, and Brutus. The only sounds are the cries of the treacherous who are damned here, planted variously about in the ice.
Twice in his Commedia Dante experiences the utter failure of language to convey the sublime: first, the horror of this frozen landscape with Satan at its center, and then in Paradiso when he receives the beatific vision.
What he sees in the icy core of hell makes him cry out,
O reader, do not ask of me how I grew faint and frozen then-I cannot write it: all words would fall far short of what it was.
I did not die, and I was not alive; think for yourself, if you have any wit, what I became, deprived of life and death.
The emperor of the despondent kingdom so towered from the ice, up from midchest, that I match better with a giant’s breadth
than giants match the measure of his arms; now you can gauge the size of all of him if it is in proportion to such parts.
If he was once as handsome as he now is ugly and, despite that, raised his brows against his Maker, one can understand
Unlike Milton’s Satan, Dante’s Satan is silent, dumb with fury, powerful but imprisoned and, worst of all from his perspective, a means of the pilgrim’s ascent, as following his guide Virgil, Dante makes use of Satan’s hairy legs as the only way to climb downward in order to re-emerge upwards in the opposite hemisphere and into the light of the stars above once more.
See Denise's Six Sentence Story Prompt for more stories using the word "vault" or click here.
Jyoti Sahi (1944–), Holding the Flame of Fire, 2005. Kolkata, India.
Being found by You, I find everything: the sky a brighter blue, the leaves a happier hue of glistening green, the river’s melodious
sounds rising high and low, bandying mountain notes to valley tunes, and sun-washed strands of ocean shores joining moon-drawn tides of marshalled harmony.
Being known by You, I know everything: Love stronger than Death, darkness overcome by Light, Peace past understanding, Hope unbounded, Joy unspeakable,
Faith that Hell’s gates will assail in prayer, Strength of soul, Patience through trials, Your Life eternal flowing through me, Your Blood that washed every stain of sin.
Being loved by You, no other love compares: not love of man or woman or child; not the charms of all the world’s delights, not health nor fortune, not lands
nor houses, neither knowledge of every secret on earth or above it, nor wisdom to confound and bring to their knees every earthly might and power.
There’s nothing on earth for me if not for You: there’s nothing in heaven if You be not there: Mary’s little baby boy would be just another child
if he had not been You come down to earth, taking on our flesh, suffering on earth the plight that is ours, to give to us, Your children, by faith the glory that is Yours.
I unravel from my winding sheet for that is what it is, this flesh which harbors my soul in the same way my soul embraced the flesh in its wanderings like Ulysses aboard his black ships.
As I do, I spy my body at a slowly retreating distance, see its supine figure like a sculpture by Rodin, no, strike that, more like a painting by Caravaggio, the one of Paul struck down on his way to Damascus, every strained muscle in his body and lineament of his face expressing brute confrontation with Truth.
Yes, I capitalized it, or Him, Truth, a living Being, the source and embodiment of the absolute by virtue of His aseity and omnipotence, against whom I thought I could compete with my own truth, small case, t-r-u-t-h, to my own demise when I took up arms against any who would tell me not to heed the siren’s call, or the call of that master rhetorician Ulysses, alive in every age, in every town, in every social circle, school, temple or townhall, the sly, polished poet, a borrower or thief with pockets full of gold who says, “Let’s see what’s out there, so much to see, so much to experience, and oh, the things we’ll learn as we range unanchored to any known shore, pushing that thin envelope of body and spirit to the limit!”
He offered what we all yearn for, knowledge of the world, a wisdom that ordinary people (how we despise them!) in their ordinary little lives could never hope to find, when there’s a world of pure epicurean adventure led by your captain, my captain, let’s call him Ulysses.
I was twenty-nine, hardly naïve, yet naïve as a voter with a politician spinning promises, and so I left my home and went with him, my Ulysses, as ready as he with wit to parley at every Areopagus, eager to hear or spin every newfangled tale ever told, see every exotic sight to behold, by plane, by train, oh, the places to go, to experience every esoteric fad and sensation, and everywhere the dawn rose to the rooster’s call of Carpe diem and the night fell on the cries to transgress, transgress, every boundary, every limit, until my soul gave way from its moorings at the realization that I had gained nothing but lost everything.
Soon I’ll leave for Charon’s Ferry and I wish now – too late — for just one more voyage: a voyage I’ll never know.
Denise's Six Sentence Story Word Promptis "range" so naturally my thoughts flew to that free-ranging (anti-)hero Ulysses and his place in Canto 26 of Dante's Inferno, Commedia.
Canto 26 is one of my favorite cantos in the Inferno, so much being said here by Dante, revealing how much he too is tempted by the same passion as Ulysses whose supple philosophical genius and rhetorical skills are used to deceive the Trojans and ultimately lead to the doom of his own men as he leaves Ithaca, his home. They sail beyond the gates of Hercules where he and his men spy Mount Purgatory before “a whirlwind rose and hammered” at their ships sending them plunging beneath the ocean waves.
She’ll be singing, “Lo, How a Rose E’er Blooming” But I won’t hear it Her voice so dulcet Her face pink, all aglow.
To God she’ll give the glory As her heart attuned soaring Sings out its praise Sad hearts to raise To Him our Savior and our joy.
Somehow I’ll know, my spirit sense The words when she is singing Rejoicing knowing In Christ she’s growing And that makes all the difference.
Now to him who is able to establish you in accordance with my gospel, the message I proclaim about Jesus Christ, in keeping with the revelation of the mystery hidden for long ages past, but now revealed and made known through the prophetic writings by the command of the eternal God, so that all the Gentiles might come to the obedience that comes from faith– to the only wise God be glory forever through Jesus Christ! Amen.
Romans 16:25-27 [NIV]
Galo Ocampo (Filipino, 1913–1985), Nativity, late 1930s. Oil on canvas. UST Museum, Manila, Philippines.
Lo, How a Rose E’er Blooming (15th c. German, trans. Theodore Baker)
Lo, how a Rose e’er blooming From tender stem hath sprung! Of Jesse’s lineage coming As men of old have sung. It came, a flower bright, Amid the cold of winter When half-gone was the night.
Isaiah ’twas foretold it, The Rose I have in mind: With Mary we behold it, The virgin mother kind. To show God’s love aright She bore to men a Savior When half-gone was the night.
This Flower, whose fragrance tender With sweetness fills the air, Dispels with glorious splendor The darkness everywhere. True man, yet very God, From sin and death He saves us And lightens every load.
Join us at Rochelle's Friday Fictioneers (100 words, photo prompt)
and Denise's Six Sentence Story ("meter"). Click and to join the fun.
Journeying on Geryon
Dante’s Inferno lies open as I sleep.
On winged Geryon we descend into the infernal sublime of fraudsters, flatterers, the treacherous, their earth-borne bullshit stench exceeded here by that of countless privies.
Geryon’s human face seems kindly, despite his serpentine body and scorpion tail, and I ask: “Geryon, will I recognize anyone in the Malebolge, this place of stone?”
He, answering sweetly in steady meter: “Nay, why, for art thou not too clever for such?”
I relax, then gasp, as he drops me in the mire.
Alas, it’s not as one living but as one damned to her final destination.
Illustration by Gustave Doré 1867, The Flight of Geryon.
In Canto XVII of Dante’s Inferno, the pilgrim Danteand the poet Virgil, his guide, ride on the back of the monster Geryon to descend from the seventh to the eighth circle of hell in the third ring of hell, the Malebolge. It is described in this way in the next canto:
There is a place in Hell called Malebolge, made all of stone the color of crude iron, as is the wall that makes its way around it.
Right in the middle of this evil field is an abyss, a broad and yawning pit, whose structure I shall tell in its due place.
The belt, then, that extends between the pit and that hard, steep wall’s base is circular; its bottom has been split into ten valleys.
Just as, where moat on surrounds a castle in order to keep guard upon the walls, the ground they occupy will form a pattern,
so did the valleys here form a design; and as such fortresses have bridges running right from their thresholds toward the outer bank,
so here, across the banks and ditches, ridges ran from the base of that rock wall until the pit that cuts them short and joins them all.
This was the place in which we found ourselves when Geryon had put us down; the poet held to the left, and I walked at his back.
The Divine Comedy – tr. Mandelbaum – Cantica I – Canto XVIII
Clothed in the armor of Your light We walk by faith throughout the night As darkness fades, so all earthly fear With the long-awaited dawn, when You appear.
All the prophets spoke was true All that they prophesied of You We knew it then, we know it now That every knee before You one day will bow.
In the fullness of time You came As babe in manger, Jesus by name Now ascended King, when You departed You left us not alone, but the Holy Spirit imparted.
Yet out of our sight You reign on high Until that day when You again come nigh The dawn of that day we will shout and cheer Not an eye will be dry when You, O Lord, draw near!
Now, Father, keep us faithful and strong Singing ever onwards the Gospel song Knowing it is the power of God to save By believing in His Son whom to us You gave.
Romans 1:16 (NIV) For I am not ashamed of the gospel, because it is the power of God that brings salvation to everyone who believes: first to the Jew, then to the Gentile.
Galatians 4:4-6 (NASB) But when the fullness of the time came, God sent forth His Son, born of a woman, born under the Law, so that He might redeem those who were under the Law, that we might receive the adoption as sons. Because you are sons, God has sent forth the Spirit of His Son into our hearts, crying, “Abba! Father!”
Lyrics: Psalm 121 (sung in Arabic) I lift up my eyes to the mountains— where my help comes from My help comes from the Lord, the Maker of heaven and earth. He will not let your foot slip— he who watches over you will not slumber; The Lord watches over you— the Lord is your shade at your right hand; the sun will not harm you by day, nor the moon by night. The Lord will keep you from all harm— he will watch over your life; the Lord will watch over your coming and going from now until the end of time
*A bibliopole is a person who buys and sells books, especially rare ones.
This Dream recurs — I am the Bird — Neither the Darkness — nor the Light — Ranging over Estates of books Endless — See one Book — now Ubiquitous — contains Life Lights the Path —while others Sound Characterize Reflect Darken Never overcome the Light
A recent post by a fellow blogger1 awakened me yet again to issues of abuse. Extremes of reaction and behavior caused by past abuse. Impossibly high standards it engenders. Unrealistic expectations. Childhood scars that reopen and bleed. Shedding these old habits of thought/behavior and clearing our lungs of them by achieving moderation does take time … but particularly time in the word of God. Diving deep and long, letting the Holy Spirit fill our lungs with His love so we can breathe more easily in our own skin. Theology is not a luxury but a necessity that God alone can provide through the special revelation that is His inerrant and infallible word. Through it we come to know that He is the Rock that is higher than all others, as the psalmist puts it, a fortress of peace, stability and safety. But more: He gives life, abundant life, His own, by uniting us with Himself, Emmanuel, God with us, the incarnate God, Christ Jesus. Finally, union with Christ is God’s divine life poured into us by His Spirit and we become a new creation, leaving the past behind, following a new path that leads to life eternal, and pressing on “toward the goal for the prize of the upward call of God in Christ Jesus.”2
Psalm 119:105 (KJV) Thy word [is] a lamp unto my feet, and a light unto my path.
John 8:12 Again Jesus spoke to them, saying, “I am the light of the world. Whoever follows me will not walk in darkness, but will have the light of life.”
John 1:5 The light shines in the darkness, and the darkness has not overcome it.
John 6:68 Simon Peter answered him, “Lord, to whom shall we go? You have the words of eternal life,
2 Corinthians 5:17 Therefore, if anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come.
2Phillipians 3:12,14 Not that I have already obtained this or am already perfect, but I press on to make it my own, because Christ Jesus has made me his own. … I press on toward the goal for the prize of the upward call of God in Christ Jesus.
I hear the call, Eternal, sound in my heart and in the stars. Is it timeless or infinity itself? Is its Voice a song? I do not question, so much yet to understand and I am not able.
I only respond in gratitude, though one-legged in faith still hobbling, letting go finger by finger my pride, and taking up, hand after hand, my cross of self-denial.
For this Eternal is Love.
By Purgatorio, Canto 11 of the Commedia, Dante the pilgrim has exited Hell and entered purgatory by permission of the angel at the gate who uses two keys, one silver (remorse) and one gold (reconciliation). As he and his guide, the poet Virgil, enter they are warned not to look back at any point in the journey up through the terraces of purgatory to the Garden of Eden. In Purgatorio, Canto 10, Dante had seen examples of humility. Now on the first and lowest terrace he sees souls of the proud bent over by large stones they carry on their backs, due penance for their sin of Pride, of which there are three kinds: pride of family, pride of art, and pride of power.
Federigo da Montefeltro, Divina Commedia, ca. 1478. Purgatorio, Canto XI: The Prideful. – Source
Purgatorio is filled with the prayers of souls as they ascend the terraces. And Canto 11 opens with the only complete prayer which is really an expanded version or gloss of The Lord’s Prayer (Matt. 6: 9-13; Luke 11: 2-4).
“Our Father, You who dwell within the heavens
but are not circumscribed by them out of
Your greater love for Your first works above,
Praised be Your name and Your omnipotence,
by every creature, just as it is seemly
to offer thanks to Your sweet effluence.
Your kingdom’s peace come unto us, for if
it does not come, then though we summon all
our force, we cannot reach it of our selves.
Just as Your angels, as they sing Hosanna,
offer their wills to You as sacrifice,
so may men offer up their wills to You.
Give unto us this day the daily manna
without which he who labors most to move
ahead through this harsh wilderness falls back.
Even as we forgive all who have done
us injury, may You, benevolent,
forgive, and do not judge us by our worth.
Try not our strength, so easily subdued,
against the ancient foe, but set it free
from him who goads it to perversity.”
Dante Alighieri, Purgatorio, Canto X1, lines 1-21, transl. Alan Mandelbaum
Gustave Doré, Dante Alighieri’s Commedia, The Beatific Vision (1880)
The Commedia ends with Paradiso where Dante receives the beatific vision: “The Love that moves the other stars” (l’amor che move il sole e l’altre stelle). As Giuseppe Mazzotta notes, Inferno and Purgatorio also end with stelle. “So when Dante says that love moves the sun and other stars, what he’s really doing is placing himself immediately right back on earth, back at the beginning of his quest. He’s here with us looking up at the stars.”
In 1794 the poet William Blake published his “Songs of Experience,” a collection of poems (complete with his own hand-colored illustrations and illuminated borders) of which one is “The Sick Rose.”
Named demon by my father, taught life’s grammar by brute force, think you to disassemble me by calumny, emblazoning my property green, as if the seen shames more than the unseen?
Are you a vandal? Are you meretricious? Would foster evil greater than mother’s blame, beat harder than a rod of pain? Have stakes driven through my heart? It’s been done.
Yet long before fists of flesh, eyes of stone, Love upon a Cross of wood claimed me; I, hidden in Him, rose with Him, live by faith, by grace, enjoy eternal life in Him.
Grace, mercy, peace, my friend.
Host Rochelle Wisoff-Fields of Friday Fictioneers provides us with this week’s photo prompt and reminds us that “November 9–10, 1938, Nazi leaders unleashed a series of pogroms against the Jewish population in Germany and recently incorporated territories. This event became known as Kristallnacht (The Night of Broken Glass) because of the shattered glass that littered the streets after the vandalism and destruction of Jewish-owned businesses, synagogues, and homes. This was only the beginning of one of the most barbaric and vicious times in recent history.We say ‘never again.’ But.…” Rochelle shares a video link to Auschwitz concentration camp survivor, Dr. Edith Eger, who experienced survivor’s guilt, attaining peace towards the end of her life, and who says at one point in the short seven-minute talk: “When you share your secret, you are no longer in the concentration camp that is in your own mind.”
This Sunday, November 6, is the International Day of Prayerfor the Persecuted Church, when you are invited to pray with those around the world for persecuted Christians, currently the most persecuted religious group in the world.The group Open Doors USA figures that 360 million Christians last year lived in countries where persecution was “significant.” Roughly 5,600 Christians were murdered, more than 6,000 were detained or imprisoned, and another 4,000-plus were kidnapped. In addition, more than 5,000 churches and other religious facilities were destroyed.
Saints and sinners anyone? Yet who can claim to be wholly one or the other?
The point of my “Two Quotes” series is to lay before you literary, artistic and/or musical juxtapositions, and let you be the judge of their similarities and their contrasts. Click here for more.
St. Francis, born to Italian nobility in the 13th century, renounced his worldly possessions and took a vow of poverty to serve God as a monk. Eventually he gathered other like-minded aristocratic scions and founded the Franciscan order of friars. He’s well known for being a lover of God’s creation, even going so far as to preach to the birds and the fishes. He wrote “The Canticle of the Creatures” in 1224 while recovering from an illness and it is the earliest piece of literature written in Italian rather than Latin, the language of the church. Dante alludes to it in Canto 11 of Purgatorio.
Many believe this is the most accurate image of St. Francis.
Most High, all-powerful, good Lord, Yours are the praises, the glory, and the honour, and all blessing.
To You alone, Most High, do they belong, and no human is worthy to mention Your name.
Praised be You, my Lord, with all Your creatures, especially Sir Brother Sun, Who is the day and through whom You give us light.
And he is beautiful and radiant with great splendour; and bears a likeness of You, Most High One.
Praised be You, my Lord, through Sister Moon and the stars, in heaven You formed them clear and precious and beautiful.
Praised be You, my Lord, through Brother Wind, and through the air, cloudy and serene, and every kind of weather, through whom You give sustenance to Your creatures.
Praised be You, my Lord, through Sister Water, who is very useful and humble and precious and chaste.
Praised be You, my Lord, through Brother Fire, through whom You light the night, and he is beautiful and playful and robust and strong.
Praised be You, my Lord, through our Sister Mother Earth, who sustains and governs us, and who produces various fruit with coloured flowers and herbs.
Praised be You, my Lord, through those who give pardon for Your love, and bear infirmity and tribulation.
Blessed are those who endure in peace for by You, Most High, shall they be crowned.
Praised be You, my Lord, through our Sister Bodily Death, from whom no one living can escape.
Woe to those who die in mortal sin. Blessed are those whom death will find in Your most holy will, for the second death shall do them no harm.
Praise and bless my Lord and give Him thanks and serve Him with great humility.
The Creator became the heart of creationwhen in Christ Jesus He took on our flesh. This is no small thing. He who is one hundred percent divine became also one hundred percent man: true God, true man. What but the love that existed in the Trinitarian God frometernity could cause Him who created all that exists and all that has being to take on the rescue of His creatures in this humbling fashion, enduring the darkness of our world and enduring our death in order to free us from evil and death eternally! So great is His love for us that He came down at Christmas to raise us up with Christ and give us Himself for all eternity.
So we rejoice! We rejoice at such a love, such a Creator, such a God who gave Himself for usand to us when He who is “Love came down at Christmas.”And we thank Him, and praise Him, and glorify and worship Him who through this life has promised to never leave us nor forsake us for He has made us His children in Christ Jesus! Hallelujah! For the Lord God eternal reigns! Hallelujah!
Love came down at Christmas, Love all lovely, Love Divine, Love was born at Christmas, Star and Angels gave the sign.
Worship we the Godhead, Love Incarnate, Love Divine, Worship we our Jesus, But wherewith for sacred sign?
Love shall be our token, Love be yours and love be mine, Love to God and all men, Love for plea and gift and sign.
Christina Rossetti (1885)
A note to my readers and blogger friends: I will be taking a blogging break for a while and look to reconnect in the New Year. Merry Christmas to all and to all, best wishes for a Happy New Year!
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Dreams from a Pilgrimage 