Sandy Foundations: A Zéjel

Grace at dVerse engages us to try a new poetic form: the Zéjel, 
a Spanish form with Arabic influence related to the Qasida 
and adopted by the Spanish troubadours of 15th century. 
The rules for the most common form:
1) 8 syllable lines.
2) stanzaic, opening with a mono-rhymed triplet followed by any number of quatrains.  
3) rhymed, the rhyme of the opening mudanza establishes a linking rhyme with the end line of the succeeding quatrains. Rhyme scheme, aaa bbba ccca etc.
Click on Mr. Linky to read more poems.
Image credit: Roman Odintsov.

Universes and grains of sand
Threading dreams, like daisies, by hand
Unstrung the quicker when more grand.

I sought the visions of a dream
Where suffering ends and life would seem
Heavenly, as every soul would beam
To see wishes fulfilled as planned.

Long I searched by day and by night
Like Eldorado by the knight
The end I sought grew dim not bright
As all my hopes came to a stand.

Now gray and old, I do decry
The day I fell for that old lie:
Apart from God to live and die
And build my towering hopes on sand.

Always in Season

I met the devil at the crossroads
he was holding a basket of fruits

summer fruits: heightened in blush
eloquent in fragrance, tickling ears
choreographing sinuous guitar-strung blues

I asked him what he was selling
that I could afford, ‘cuz I had no money

peach skin: fuzzy ripening soft
dizzying delectable drippings
through juice-famished fingers

The night was thick with Southern mist
the road steamed where darkness sifted

sweet desire: the devil smiles
the basket away and disappears
like will-o’-the-wisp

sifted, sifted my soul like chaff, alone
at the crossroads looking after him


Mish at dVerse Poetics: "Always in Season" asks us to write about fruits or berries, giving us a broad flexibility of topic, from concrete to abstract. This poem was inspired by legendary blues singer and guitarist Robert Johnson's "Crossroads" (1936).

Enter Stage Right: Cicindela

Cicindela sexguttata, also known as the green tiger beetle, Catoctin Mountain Park

It was my walk you were on
hunting caterpillars, spiders and ants:
cicindela sexguttata, tiger beetle
after its prey in a flashy fluorescent kind of way

I stopped, you froze, neither of us camouflaged,
me turmeric topped in white jeans,
you in green metallic sheen
me on all fours to examine you better
you on all sixes to beat it if you had to

I exited stage left, you stayed put, focused,
a cirque du soleil wanderer, stray spotlight hoarder
ready to celebrate with a juicy meal
of tang-colored butterfly puddling nearby

When comic relief: a crow flaps its wings
while you race for your prey but your timing is late,
the butterfly flutters off and I shout off the bird
and you meander onward, a green blaze of disgust.


Join the dVerse poets as we write on "Creepies and Crawlies," for Poetics Tuesday.

Freedom

There she was:
I realized she was me
crouched in the beating room,
hateful she, a thing that cried piteously
ugly she, crying stupidly, screwed up she,
she ugly, she stupid, she dumb, nothing deserving.

Dark, glassy the room:
no color, but a stink of loathing
a stink of putrid fear, foul abhorrence
disgust mirrored through the open door of midnight
huddled waiting for the next well-deserved blow.

The rustling of leaves:
standing many a time at the doorway dreaming
she was never there, the she that was me
this still-born excrescence, but now she, suddenly shielded
with the cloak of pure light of the Ancient One, holy,
whose right cannot be denied, his blood the price for she, for me.

Photo by Masha Raymers on Pexels.com

Romans 7:14-25 (NET)
For we know that the law is spiritual – but I am unspiritual, sold into slavery to sin. For I don’t understand what I am doing. For I do not do what I want – instead, I do what I hate. But if I do what I don’t want, I agree that the law is good. But now it is no longer me doing it, but sin that lives in me. For I know that nothing good lives in me, that is, in my flesh. For I want to do the good, but I cannot do it. For I do not do the good I want, but I do the very evil I do not want! Now if I do what I do not want, it is no longer me doing it but sin that lives in me. So, I find the law that when I want to do good, evil is present with me. For I delight in the law of God in my inner being. But I see a different law in my members waging war against the law of my mind and making me captive to the law of sin that is in my members. Wretched man that I am! Who will rescue me from this body of death? Thanks be to God through Jesus Christ our Lord!

Romans 8:15 (NET)
For you did not receive the spirit of slavery leading again to fear, but you received the Spirit of adoption, by whom we cry, “Abba, Father.”

2 Corinthians 3: 17-18 (NET)
Now the Lord is the Spirit, and where the Spirit of the Lord is present, there is freedom. And we all, with unveiled faces reflecting the glory of the Lord, are being transformed into the same image from one degree of glory to another, which is from the Lord, who is the Spirit.

For dVerse: Poetics - Dungeons and Dragons, Sanaa asks that we "play a poetry game called,'Dungeons and Derivatives.' The idea here is to select one (from a list of eight sentences) and to change at least one word or more by replacing it with a derivative. Once you are done, unlock the muse from its dungeon and write a poem with the existing sentence." I chose the line from one of her poems which runs: “The rustling of leaves; I have stood many a time at the doorway of dreaming.” Click on Mr. Linky to read more and join in!

Journey (3)

fare thee well, my sister
fare thee well, my brother too
well met this day to savor
a spell of time to share

what see you in my path
what see I in yours
a cross laid upon our shoulders
to follow in His steps

be gentle, sister, brother
ours is not to judge
called are we to tarry
in comfort and in love

kneel and pray o sister
kneel and pray today
kneel and pray o brother
Manna for this day

For He who died on Calvary
is Bread of life to us
and He has sent His Spirit
to quench the thirst in us

now we rise to journey
on our way again
the time that we have tarried
a well of joy has been

I’ll see you at the Wedding
I’ll see you with the Lamb
we’ll sing with great rejoicing
never to part again.


I had just completed the next to the last verse when I received the news that my dear friend, A. J., had passed into glory. It was as if all the verses that had been written before were not a coincidence but had been a preparation for this, a reminder to all those who hear that our journey leads homeward to our heavenly Father, to God our Savior. “As it is written, ‘What no eye has seen, nor ear heard, nor the heart of man imagined, what God has prepared for those who love him’”— (1 Corinthians 2:9).

pax,

dora

image resource – https://www.lovethispic.com/image/56666/pathway-to-the-unknown
Join in Eugi's Weekly Prompt, "journey"

Not Our Will, But Thy Will Be Done

For with You is the fountain of life; in Your light do we see light. (Psalm 36:9)
Not Our Will, But Thy Will Be Done

Silvery strands, hair falls in brush-fulls
one saint’s covering glory thread-bare
every thread-count, hair-count numbered
tears bottled, not nameless
not in a warehouse,
but in the house of the Lord, O En-hakkore,
on Zion’s mount, where nations stream
one day, El-Shaddai, that day
don’t delay, Yahweh, that hour
cry the faithful weeping from hospital beds
prison cells, beside mass graves,
the suffering martyrs, broken families
soldiers and civilians mere fodder for power,
numberless babes murdered in wombs:
hear our prayers, O LORD our God,
for the coming of Thy Son.


For today's dVerse Poetics, Ingrid asks us to "try to complete the poem as far as possible without writing it down. Think about the devices discussed above: regular rhythms, repeated phrases or ‘motifs’, alliteration and rhyme schemes – anything to aid the memory and help the words to flow....Make an audio/video recording of your poem and post it to your blog and/or transcribe your poem, so we can read the finished version." Click on Mr. Linky to join in and read more poems.

Mothers Have Always Wandered and Searched

Photo by KoolShooters on Pexels

Mothers have always
wandered and searched
still as gravestones
in blood-soaked cities and fields
for their daughters, their sons.

It concerns them not
when lies unravel, whether
thugs come in uniforms or turbans
by force of law and terror
masking regime bureaucrats and zealots.

Ten people, including seven children, were killed by a U. S. drone strike on Sunday. “At first I thought it was the Taliban,” one survivor said. “But the Americans themselves did it.”1 Thirteen U. S. Marine Corps, Army & Navy service members were killed in Kabul’s suicide bombing last week.2 Their average age was 22. That same day, August 26th, in Chicago, a security guard shot a man three times for not wearing a mask3.

In Honor of Daniil Kharms

“Today I wrote nothing”

on Twitter

as people fell out of Windows

on Amazon’s Prime Day sale

like cats and dogs

and me heart-less

in the cell on Facebook

padlocked

when the famine came

and the rations ran out

and the rats came in.


Writer Daniil Kharms (1905-1942) is one of Russia’s great absurdists, his black humor seemingly politically opaque, but troublesome enough to alert Soviet authorities who threw him in prison where he died forgotten by his jailers.

Join us a dVerse where we are writing a quadrille (44 words exactly) using the word "heart." Click Mr. Linky to read more.

A Better Life

“Poetry makes nothing happen: it survives”¹
unlike young Icarus² who would fly to freedom
under the belly of a giant whale ascending
but he plummeting, free-falling, down to his death
while a world watched, still watches in horror
through that silver screen of the mind’s eye
as of an oracle that survives in the folds of memory
forecasting doom, like the poetry his heart sang
of a better life, a New World of winging hopes
now a land in chaos helmed by venal fools
where yet survive as in the Ark the few
whose hope shies not away
in whom Life supplants death
to whom Bread is provided and thirst quenched
whose city is built not with human hands
whose cornerstone is the Lamb that was slain.


1From W. H. Auden’s “In Memory of W. B. Yeats”

2On Monday, August 16, 2021, seventeen-year-old Zaki Anwari fell to his death after clinging to a US military plane taking off from Kabul as he tried to flee the Taliban takeover. He was one of several Afghans who rushed onto the tarmac of the capital’s airport and desperately held onto to the side of the C-17 aircraft before takeoff, captured in a widely-shared video that encapsulated the chaos of America’s exit from Afghanistan. A member of Afghanistan’s National Youth Football Team, Anwari was described by a spokesman for the sports federation as “kind and patient. He had no hope and wanted a better life.”3

You Were Four

Her father died on June 27, 2021 of covid.

You were four with a Daddy
when you laid out dancing colors
of pink, blue, green and purple

When you were four and a day
the colors went orange viral
of corona, corona everywhere

You sat half-hidden in shadow
your diamond father stolen from you
with black words like ICU

Now pink, blue, green and purple
have fled a world of frightening red
your mother widowed in white

And you are four and counting
looking back at days of gray
a rainbow shining over you: we pray


Reena at Xploration Challenge gives us an update on the four-year-old pictured above: “I came across a heart-wrenching picture of a drawing by a 4-year old, whose father [was] battling lung failure due to Covid in hospital. When asked what was it she had drawn, she said “Corona, Corona …. Everywhere Corona.” The entire family was infected, but all others have recovered…. She lost her father today. Her mother, whom I see as an exceptionally strong woman, fought till the end, staying afloat with her Buddhist beliefs and chanting “Nam myth renge Kyo.” It kept her going, if nothing else. She is totally deflated now, after the incident. She, who led a fatherless life (her father being a drug-addict), just uttered the words ‘My daughters will meet the same fate.'”

Body Politic, or Intensive Care

Whom the fire burned
is under gauze.
Was it once black or white or non-white?
What the closed eyes?
What myriad colors swirl beneath the bandages?
Sins of color stain even a child.
What absolution have we
if we offer such sacrifices as the gods decree?
And if it walks like blind Tiresias
what will it prophesy
but death which comes to all
and judgment.

“Yellow School Bus” © Glenn A. Buttkus: “A school bus must have a plethora of pulsating and reflecting lights, because nothing is more precious than its cargo.”

In keeping witht the theme of minimalism in art, Sanaa at dVerse writes: “I want you all to select one out of the twelve photographs shared … and write a poem. It can be an Ekphrastic poem, if you like. Go philosophical. Go dark or romantic or solemn. Share what you feel about Minimalist photography when you see it. The idea here is to provoke an emotion, and what better way to pour them out other than poetry?” Click on Mr. Linky and join in.

Knife-walkers

Girl with Balloon or There is Always Hope, original mural by graffiti artist Banksy (2002) on Waterloo Bridge in London’s South Bank; photo Dominic Robinson, 2004

writers are knife-walkers
we walk to make the final cut
where the blade
ruptures the heart

surgical artists dissecting ourselves
in the Circus Maximus
for the amusement of the gods
in their curtained prosceniums

they, eviscerating each other,
we rip ourselves up to see the truth
in fictional lives stitched up later
as scarred tissues of lies

only to find we’re not hopelessly alone
that our arteries flow into one another
through artful bridges of aqueducts
leading one to another’s aortas

in ancient tides and ocean swells,
each as wombs incubating embryonic
lives of who we are meant to be
where the bone meets the marrow.

Today Tricia Sankey guest hosts at dVerse Poetics, and she challenge us with writing about risk. Inspired by Tricia's own poem, well, writing poetry is a risk for me, but as I tried to say, one well worth taking when it's done in community like the poets at dVerse. Thanks to one and all.

The Table

Sitting across the table from you
Wonder what you’re thinking
Is it just the food? Something more?
You look up. The sweetness in your eyes
Dispels all doubts in wedded bliss
All conversations merge into one
There’s no one for me but you.

Sitting down at Your table with You
Dark the vagrant thoughts in my head
Not on the bread, nor on the wine
Your living Presence hid to my eyes
Your tender, humbling gaze on me, I look up:
Enthroned majesty cloaked in a naked Lamb
Slain for the love of a sinner like me
There’s no one for me but You.

Image by Bouf16 from Pixabay

Arsenic and Old Lace

For Laura’s dVerse Meeting the Bar prompt “of poetry craft and critique, ‘to turn again, about turn again‘ we are employing the device of ‘epiphora/epistrophe’ which makes use of consecutive end line repeats of words or phrases. The optional extra is ‘Symploce’ – a consecutive repeat of first and final words.”

Laura points out that ‘epiphora’ is also “a medical term for excess tear production,” which can result from both comedy and tragedy. And so I have incorporated quotes from the classic Frank Capra film, “Arsenic and Old Lace,” to write a farce and an omen, reflecting perhaps something of the state of the world today.

In Melbourne one night I dreamed of you
Cold-eyed in June with summer roses hanging tough
Knew I’d meet you when the four horsemen rode
With plague and famine and war on their hooves
With plague-driven carts bouncing off their hooves.

Continue reading “Arsenic and Old Lace”

From Tree to Tree

Ribbed, malnutritioned, unhallowed eyes knuckle mine
And without turning I see in wintry desert climes
A thing to be desired above all others
A taste to consume and be consumed by
A reign of terror sublime where worms meet flesh
Of tree-fruit hung, mouth-watering pulp of initiation
Plucked, bitten off, in excess of secret concupiscence

In ravishment of the verboten, for that which I hate,
I had done, and thus doing, am undone, the unmaggoted
Fruit in its rainbow pride turning to dust and ashes
in my mouth. For I have traded a Love without price
For emaciated fruited-husks littering the fields of deceit
Yet again, an unslumbered hungering malice ever-stalking
At my heels, until out it comes, the vinegared indigestible

Bulk of it spilled vomitously, wretched retchings of a fool
Words and deeds like knives ungorged flying mercilessly
And I with unclean hands, naked in the cool of the evening
Hidden, yet sought, drawn to the hallowed treed shade where
Gratuitously, there is room for me, manna for me, Bread of life,
Water that quenches my thirst, Whose wine-dark blood
Spent in mercy divine washes over and covers me so
To walk at last in honeyed valleys and orchards free.



Song of Songs 2:3
[She]: As an apple tree among the trees of the forest,
so is my beloved among the young men.
With great delight I sat in his shadow,
and his fruit was sweet to my taste.

Continue reading “From Tree to Tree”

Sightings (1)

The first time I saw you I wondered
at you, a pale pink floret
in the shade of a tree

content with stray rays
of sunlight on the forest floor
a passing delight of its denizens

a woodland note of praise to your Maker
under whose gaze
you contentedly lie.

Belief (6)

no longer mine, but Thine, Father,
my will to yours aligned
through twists and turns on this dark road
sight fails where Your hand guides

these steps I climb are harder yet
than they have ever been
time spent with You in expectant prayer
seems now almost a bygone tale

in sorrows, sickness, mourning my sins
but for You, God of hope, would crush my frame
each muscle, tendon, cord of heart
Your hand weighs down on me

trusting You in whom is life
weakness in humility to bear
strength, wisdom from you to receive
all my glory in Christ alone

tho’ muttering pain speaks itself
most clearly in complaint
even then in love do You take hold
and raise me to Your throne

here where angels throng,
martyr songs remind
that whate’er we lose we find
in greater store in Christ

so speaks Your word
by Your power, a fellowship of joy
in Father’s love, the Spirit’s peace
and the limitless grace of the Son


Romans 15:13
May the God of hope fill you with all joy and peace in believing, so that by the power of the Holy Spirit you may abound in hope.

Image by gabicuz from Pixabay

On Prufrock Reading His Love Song: A Palinode

Image from “Dante’s Inferno,” a video game

Grace at dVerse asks us to meet the bar by writing a palinode or palinody, “an ode or song that retracts or recants a view or sentiment to what the poet wrote in a previous poem.” She has various examples of this and I’ve chosen to follow Monica Youn’s model. Modernists like the young T.S. Eliot have always intrigued me, their loss of faith, their perceived dissolution of any moral center so that it could not “hold” (Yeats) leading to a hellish fragmentation of their psyche, the untethered remnants of a “lost generation.” Their poems nevertheless are replete with the religious symbolism of earlier ages. I thought I’d pluck a character from one of Eliot’s most famous poems (“The Love Song of J. Alfred Prufrock”) and see how he would do in a palinode.As a palate cleanser, which you may be in great need of after my clumsy fan fiction, listen to the Jeremy Irons reading of Eliot’s poem below. Click on Mr. Linky to read more dVerse palinodes and join in.

Continue reading “On Prufrock Reading His Love Song: A Palinode”

Job’s Wife

Inspired by the Georges de La Tour painting below, the following poem attempts to give an added voice to the eloquence of Tour’s work by “unmuting” Job’s wife. As a character in the Book of Job, a Gentile living during the time of the patriarchs, Job’s wife is not prominent. But, perhaps, she delivers the most bitter blow to Job. Through her, we hear the voice of Satan speaking most directly to Job when she asks,  “Do you still hold fast your integrity? Curse God and die” (Job 2:9). In the midst of his sufferings, I believe Job’s greatest challenge was to withstand this voice and choose to trust God.

Job Mocked by his Wife Georges de La Tour (17th c.)
“Job Mocked by his Wife,” Georges de La Tour (17th c.)

No, Job, I didn’t sign up for this.
The ships lost at sea, drowning spices
Camels marauded, flocks lit into carrion husks
Children buried by an ill-wind where they danced
And my jewels? Bartered for funeral meats

Shall I proclaim it for posterity, inscribe in stone
Your endless complaints, the hollow sounds
Of jagged grief and friends’ scorn?
Look at me! Washing our rags, hiding my shame
From the maids that I once kicked out of doors

Job, I didn’t sign up for this, my darling.
Your boils how they stink where they fester
Open wounds that run dry and break open again
The prayers that you whisper late into the night
While in the city they dance and they dine

Gentiles we are, not of Abraham’s tribe!
The God you both serve has given you hell
So leave it, I tell you; curse Him and die!
Don’t live like a fool trusting Him with your life
When a stillborn child has much better luck

I heard you this morning sing like a lark,
Of your God who will come to intercede and save
Who with your own eyes you will see at last
So you’ll wait, diseased, though you’re slain. You’re mad!

The sacrifices you offered once smoked to the sky
Yet you speak of a Redeemer as if he were a man
But, husband, what broken body, what blood can make clean
Hearts bitter with hate, hands wicked with lust?
This God that you worship is too holy, too proud
Do what I say! Curse Him and die!

I didn’t sign up for this!
Do you hear?
I didn’t sign up for this.


Job 19:19-27
All my intimate friends abhor me,
and those whom I loved have turned against me.
My bones stick to my skin and to my flesh,
and I have escaped by the skin of my teeth.
Have mercy on me, have mercy on me, O you my friends,
for the hand of God has touched me!
Why do you, like God, pursue me?
Why are you not satisfied with my flesh?
Oh that my words were written!
Oh that they were inscribed in a book!
Oh that with an iron pen and lead
they were engraved in the rock forever!
For I know that my Redeemer lives,
and at the last he will stand upon the earth.
And after my skin has been thus destroyed,
yet in my flesh I shall see God,
whom I shall see for myself,
and my eyes shall behold, and not another.
My heart faints within me!

Roughly reworked from an earlier version for dVerse "Poetics: "Exploring the Narrative Voice," guest hosted by Ingrid. Thank you, Ingrid for a superb prompt. More dVerse poems, at Mr. Linky's.