2 Timothy 4:21-22 Do your best to come before winter. Eubulus sends greetings to you, as do Pudens and Linus and Claudia and all the brothers. The Lord be with your spirit. Grace be with you.
Grace at dVerse challenges us with the "wayra," a popular poetic form
in Peru and Bolivia written in five unrhymed lines of 5-7-7-6-8 syllables.
Click on Mr. Linky to join in.
Image credit: Autumn Leaves, Wallpaper Safari
From childhood I’ve led a nomadic life, then thankfully settled down for a while after my marriage; but due to varied pressures over the last dozen years or so, we found ourselves moving not once, not twice, but four times!
Let slip the dogs of war, cry ‘Havoc!’1 My life is in boxes. Taped wounds reopen. Something’s lost, new scars of the march Mark rosewood and disquiet heart, Chipping tall glasses into which descanted Expectations contain shards. I swallow
To survive. Patience. There is no end to it. Nothing is ever put away in just the right place As it was before, or ever after. A life’s exhumations, Dislocated. Some funerary remains stay buried mysteries, Supernumerary or symptoms of malaise. Diagnosis: Lassitude. The patient’s surgical cut unanesthetized
Comes at Christmas, when more than one treasured Ornament is missed, or smashed, glitter powder, a crack On Nutcracker chin. His stout smile now on my face. Shrugging away another casualty. The clock chimes. There are cookies in the oven in the new-not-new
Kitchen where cups and saucers rotate from shelf To shelf to find a home. The doorbell rings. I prepare my bravado. Hopeful eyes meet mine, A Christmas tree on slim shoulders, angelic annunciation To their father’s bemused smile. Now a certain
Cavalcade of the heart, benediction of wise men’s gold Escaping boxes, escaping from what was To what is. Another Egypt. Another promised land. Father Abraham. Mother Sarah. Tents folded Unfolded. Tinsel time like tinsel tears shimmer past. Frankincense and myrrh. My life by blood covenant, Thine.
1“The military order ‘Havoc!’ was a signal given to the English military forces in the Middle Ages to direct the soldiery (in Shakespeare’s parlance ‘the dogs of war’) to pillage and chaos. The ‘let slip’ is an allusion to the slip collars that were used to restrain dogs and were easily ‘let slip’ to allow the dogs to run and hunt.”
Image credit: Michael Whelan, "Lights," acrylic on watercolor board, 1991
I'm guest-hosting today at dVerse "Poetics: Epiphany in the Time of Holiday," where we will write on what an epiphany during this holiday season would look like for us (or someone we know or imagine). An epiphany, writes critic X. J. Kennedy, is 'some moment of insight, discovery, or revelation by which a character’s life, or view of life, is greatly altered.' Epiphany is from the Greek, epiphainein, “to show forth.” (James Joyce, for example, describes epiphanies in everyday life, using stream-of-consciousness in “Portrait of the Artist as a Young Man,” mixing memories, associations, moral/ideological/religious issues.) Click on Mr. Linky and join in!
In the year 912, Notker the Stammerer, a monk of the Abbey of Saint Gall, is said to have written what became the Gregorian chant below, the English translation of which is a poetic adaption from the Book of Common Prayer (1549).
Media vita in morte sumus quem quaerimus adjutorem nisi te, Domine, qui pro peccatis nostris juste irasceris?
Sancte Deus, sancte fortis, sancte et misericors Salvator: amarae morti ne tradas nos.
In the midst of life we are in death of whom may we seek for succour, but of thee, O Lord, who for our sins art justly displeased?
O Lord God most holy, O Lord most mighty, O holy and most merciful Saviour, deliver us not into the bitter pains of eternal death.
2 Samuel 14:14 We must all die; we are like water spilled on the ground, which cannot be gathered up again. But God will not take away life, and he devises means so that the banished one will not remain an outcast.
Image for Cee's Flower of the Day (FOTD), November 15, 2021
Linda at dVerse: Quadrille#140 asks us to use some form of the word "fair"
in a poem of exactly 44 words. Click Mr. Linky and join in!
Round and round the kwestions go Where they stop knowbody knose.
“Mr. Knowbody, tell us please! When will our suffering cease?”
“It will end in God’s own time,” Knowbody answers with a rhyme.
“Knose you, knose I knose we by and by when on our knees we make our pleas to Him who does know more than we can know does all things well more than we can tell.”
Knowing this by faith I offer praise To God alone who with me stays.
Yet knowbody’s cries can turn into wails It’s a whale of a tale rehearsed to cat’s tails.
Then round and round the kwestions go When they stop knowbody knose
Cause everybody whales and nobody tales.
Mark 7:37 And they were astonished beyond measure, saying, “He has done all things well. He even makes the deaf hear and the mute speak.”
Psalm 28:1 To you, O LORD, I call; my rock, be not deaf to me, lest, if you be silent to me, I become like those who go down to the pit.
Philippians 3:20 (KJV) For our conversation is in heaven; from whence also we look for the Saviour, the Lord Jesus Christ: Who shall change our vile body, that it may be fashioned like unto his glorious body, according to the working whereby he is able even to subdue all things unto himself.
I find this to be remarkable: that God is in constant conversation with us who are His own, even when language fails, as it often does. Especially when we feel as if we’re talking in circles around the same things, and it feels like nonsense to our own ears, as we wait on God.
We would be less than honest if we stated glibly that we can be articulate when in pain. That is a luxury most of us are denied. Pain drives us insane. It unmoors us from all that we know. Language becomes meaningless. We become a series of moans and groans and outright wails.
For while we are still in this tent, we groan, being burdened–not that we would be unclothed, but that we would be further clothed, so that what is mortal may be swallowed up by life.
2 Corinthians 5:4
Yet the Word who became flesh to tabernacle among us knows each of us, reads us like a book of which He is the Author. And whatever our wordlessness, our communion with Him continues.
It continues in the language of faith. Of which He is the Giver.
For by grace you have been saved through faith. And this is not your own doing; it is the gift of God,
It continues in the language of love. He is love.
So we have come to know and to believe the love that God has for us. God is love, and whoever abides in love abides in God, and God abides in him.
1 John 4:16
It continues in the language of hope. He is the God of hope.
May the God of hope fill you with all joy and peace in believing, so that by the power of the Holy Spirit you may abound in hope.
It continues in the language of peace. He is our peace.
All this is from God, who through Christ reconciled us to himself and gave us the ministry of reconciliation; that is, in Christ God was reconciling the world to himself, not counting their trespasses against them, and entrusting to us the message of reconciliation.
2 Corinthians 5:18-19
For he himself is our peace, who has made us both one and has broken down in his flesh the dividing wall of hostility
It continues in the language of life. He is the Author of life.
. . . the Author of life, whom God raised from the dead. To this we are witnesses.
Jesus, the Word of God, is in constant communion with us. Everything we do, say, think, is in the context of conversation with Him.
Prayer is more than words for believers. It is trust. We live in an attitude of trust even when we are bereft of all else, including words. Because we know who He is, the One who first loved us and gave Himself for us.
Our wordlessness, in suffering or in pain, is not an impediment to Him. It is a grace.
Dig deep in communion with Him who never leaves us nor forsakes us. Dig deep in His word. He is not silent.
The one who gave us mouths to speak, speaks to us. The One who gave us ears to hear, hears us.
Have you not known? Have you not heard?
The LORD is the everlasting God, the Creator of the ends of the earth.
He does not faint or grow weary; his understanding is unsearchable.
He gives power to the faint, and to him who has no might he increases strength.
Even youths shall faint and be weary, and young men shall fall exhausted;
but they who wait for the LORD shall renew their strength;
they shall mount up with wings like eagles; they shall run and not be weary; they shall walk and not faint.
Consider the lilies, how they grow: they neither toil nor spin, yet I tell you, even Solomon in all his glory was not arrayed like one of these. (Luke 12:27)
There is no nonsense about them These increments of light Sun-warmed stalks and petals, Reducing to ornate shabbiness, palaces and temples, Gaudy shacks of industry, mirrors of acquisition While these Easter-birthed seeds burst otherworldly All-gathering the vindicating Light The Being uncanny borne by fragile forms, mortal all, Sometimes dowdy, bent, dreary, Sometimes bold, speckled, flashy, Zealous, winsome, or hard-pressed Between cracks of broken pavements Yet there all the same: Seven thousands of unbowed knees Introduced by design, awakened, sent out As an offense to be discarded or tolerated, Eliciting smile, laughter, scorn, booted heel, These refugees offering refuge immortal These exiles rushing homeward This desire of sun: These lilies of the field.
For your steadfast love is before my eyes, and I walk in your faithfulness. (Psalm 26:3)
[And the LORD said to Elijah:] “Yet I will leave seven thousand in Israel, all the knees that have not bowed to Baal, and every mouth that has not kissed him.” (1 Kings 19:18)
I know this music, she said, her bow singing across the riggings of the ship, vibrations of string, quivering, a Stradivarius on seascapes wild, Colmcille’s blessing on her lips. Her petaled fingers close on each note, wind-whipped, prayer stinging her eyes, cutting grooves calloused by play, tonal cry of pregnant labor for a birth where words and sounds attuned once only to elemental spirits, now midwife new life, the dead burying the dead, but the people of the Way hearing, come dancing.
Colossians 2:8 See to it that no one takes you captive by philosophy and empty deceit, according to human tradition, according to the elemental spirits of the world, and not according to Christ.
Luke 9:60 And Jesus said to him, “Leave the dead to bury their own dead. But as for you, go and proclaim the kingdom of God.”
Image Credit: cocoparisienne from Pixabay
Ingrid at dVerse: Poetics Tuesday asks us to "write a poem using only concrete nouns, subject matter and imagery." Click on Mr. Linky and join in!
Frank at dVerse asks us to write a haibun (prose plus haiku) dealing with fear. Unlike the trumped up fear of Halloween games, there are real fears that children deal with at the hands of a parent, their childhood stolen. Perhaps years from now in their adulthood, one will thank you because you noticed and cared.
Nightmares when they roughshod ride primeval, cross cave walls and closet doors, charm no one, least of all you, appearing on site like a combative cow to remind me that when you gave birth it was in pain, a pain that didn’t end with birth. For you it won’t be enough that the shamanic horse runs wild torment across my plain features, flushed hot, now cold with fear, gaping at the undisclosed terrain of days yet unrun, populated by masked faces finding a home where I cannot. Flesh-like you appear to say, “I screamed bloody murder, you devouring me inside out, the doctor said, literally, you were eating me alive, like some malnutritioned demon-child, and I’m just a shadow of myself. To haunt you. In whatever caves you may roam. Gypsy-cursed.”
Have you seen a cow eat its calf? A hen pluck out its chick’s eyes? A mother hate her child? From where does this malformation derive than in red misery, bitter burning coals, stone-shaped eyes that glitter from the grave to shriek and shriek and shriek?
I fear you. But it’s not what you think. Though you’re dead your pain inflicts me. Your strained neck as you push onward defying all but gravity, defying the gods of nature to take from you the child you will punish because you can’t punish them.
steel-born heart in sheath trampled plain of childhood’s corpse nightmare by firelight
Are you a member of a mob, Is there a crowd you’ve joined? Do you volley a round of jeers, A record number aimed to mock Those it crowns with contempt To curry your crowd’s acclaim?
When mob zombies throw you a bone, An IG, Twitter or a Facebook like, Oh, how you preen with pride As prowling for that perfect target, A victim for your mob’s consumption You deny it’s a wicked game.
Natural bullies, mobsters we Who crowd to assemble hate Shaming those with whom we disagree In social media where we congregate To acclaim the noble popularity Of the monsters we create.
Like cartoon lemmings we march off To follow them over the cliff Buying the wicked conjurings Sold by all the best, Warding off independent thought That bane of every crowd.
Are you a member of a mob, Is there a crowd you’ve joined? Your membership will last as long As you make their idols yours. But when the day is done you’ll find Alas, the mob was not your friend.
--For Sammi's 13 Days of Samhain (volume ii)
Day 3: "A Wicked Conjuring" prompt for October 22, 2021
--"The Monster in the Woods" photo for Cee'sPPAC: #19:
Photographing Public Art Challenge (PPAC)
Public art is encompasses any form of art you see in a public place,
large or small, statues, murals, graffiti, gardens, parks, etc.
The art should be visible from streets, sidewalks
or outdoor public places.
An inch the moon moved, me eyeing through sleepless lids I lay dying: apple-fed.
Dim my sight, breath weakening death’s poison ever strengthening: apple-cursed.
Whispered prayers, hurried words of flesh plead soul’s deliverance afresh: apple-damned.
Darkness now floods the mind distraught I would, I could, but I cannot: apple-bent.
God’s Son whose flesh my guilt impaled On cross for me o’er death prevailed: apple-freed.
Grace at dVerse challenges us today to write a Compound Word Verse, an unfamiliar form to most ous I daresay. She writes: "The Compound Word Verse is a poetry form invented by Margaret R. Smith that consists of five 3-line stanzas, for a total of 15 lines. The last line of each stanza ends in a compound word and these compound words share a common stem word which is taken from the title. (In the first example below the stem word is “moon” from the title “Moonlighting”; the compound words related to the title are moondust, moonbeams, moonsongs, etc.)
The Compound Word Verse (3 lines) has a set rhyme scheme and meter as follows:
Rhyme Scheme: a,a,b
Syllable/Meter: 8, 8, 3
Click on Mr. Linky to read more and join in!
Gladsome we, though our end be to your eye decaying fury our first blooms a surprising mystery: purple-centered flaming glory darkening to what you didn’t foresee autumn’s legion embers a dreary inventory.
2 Corinthians 4:16-18 So we do not lose heart. Though our outer self is wasting away, our inner self is being renewed day by day. For this light momentary affliction is preparing for us an eternal weight of glory beyond all comparison, as we look not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal.
Cee's Flower of the Day (FOTD) October 17, 2021:
check out her incredible photography.
Sammi's Weekend Writing Prompt #231 - "Legion"
write prose or poetry in 32 words using the above word.
I watched you go, the empty sleeve of your coat brushing my cheek long before the final goodbye
on riddling ground east of Eden, west of the moon, where dead roam among the living as infernal winds sweep through like furies spitting over our destinies
in the wasteland where visions die where banshees howl, half-formed men bay round fires of Cain’s wandering offspring; yet the eternal revelation, tri-folded, goes forth to the hungry and the poor in spirit
on ground riddled with the treacherous dust of history, walking as quickened ones, lilies of the field, dandelions harboring the unsearchable riches of Christ showing forth the unassailable purpose of God
as dumb to the world’s riddles, we carry on, spinning out of bereft arms into shrouds or across canyons of a diseased mind losing each other to time’s grasp, till time stops, and we, with joy unspeakable, walk on new ground.
Ingrid at dVerse's "Poetics: From a place of pain" asks us to "try your hand at writing your way out of a place of pain" which I have done combining fragments of poems from the past. Join us by clicking on Mr. Linky.
Five minutes ago insurance was on the phone something needed watching a chore couldn’t be ignored prescriptions waited in the hallway voices cluttered up the inbox the sun was breaking hot motes star-fished into eyes death landed on the floor space folded into halves you went into your room the music turned up loud in the spaces of my heart where you still pace and pray the speakers turned up high distance crumpling in my hand the clock stretched round a bend five minutes ago
For dVerse's Open Link Night 293 hosted by Lisa. Click on Mr. Linky and meet us there!
I want to start a poem like this: I am brown, very brown. Then I get writer’s block. Because now it’s out there.
There’s a story to tell, but it’s not poetic. It’s definitional. I have to define wheatish, fair, tan, light-skinned, black, white, and all the colors that separate you and me, and beat us into submission, into bearing the crimes of our color, even though not once have I cried because I was dark brown. But I have cried because you spoke to my skin color and not to me.
And tears are wordless, colorless. Their salt shorts out syllables, keyboards, laptops. Already I taste it on my tongue. So I eat the heart of a dragon and listen to the gossip of birds.
A blackbird flies south Its shadow falls on Mt. Fuji Western sun descends
Frank at dVerse asks us to write on Writer's Block for Haibun Monday.
The haibun form "consists of one to a few paragraphs of prose
—usually written in the present tense—that evoke an experience and are
often non-fictional/autobiographical. They may be preceded or followed
by one or more haiku—nature-based, using a seasonal image—that complement without directly repeating what the prose stated.
Click on Mr. Linky to join in!