Love Me, Love Me Not

There are so many cliches about love, the word, perhaps, has lost its power, but not the notion, not the need, not the knowledge that love’s very presence makes life worth living. In one of his most famous poems (“In My Craft or Sullen Art”), Welsh poet Dylan Thomas speaks of lovers with “their arms round the griefs of the ages” which is curious, as if in embracing one another, they embrace grief, and not just each other’s but those universal.

Ack! What kind of love is this? you might ask.

Anyone who’s been married longer than a decade (or three, in my case) knows that this expresses the height of love. The willingness to bear another’s griefs rather than turn and walk away is love’s absolute zenith, its most precious characteristic. You don’t run away from the pain of those you truly love. Instead, you embrace it with them, faithfully, day after day after day.

And because no one’s life is without its griefs, we often say that we shouldn’t judge a person until we’ve walked a mile in their shoes. Sorrow and pain are universals. Beyond any happiness, we can readily sympathize with suffering. Each of us carries our pain within us. There are voiceless cries and unshed tears behind every smile we see. And apprehending the universality of our hidden hurts binds us more completely to one another than anything that divides us.

Emily Dickinson realizes this in her poem “I measure every Grief I meet” and while reading it, it struck me that our Lord Jesus’ command to love our neighbor as ourselves begins with this understanding, to “bear one another’s burdens, and so fulfill the law of Christ” (Gal. 6:2).”May the Lord make your love increase and overflow for each other,” St. Paul prays in 1 Thessalonians.

Christ Himself, of course, set the example. He was, as the prophet Isaiah described him, “a man of sorrows and acquainted with grief,” who “has borne our griefs and carried our sorrows” (Isaiah 53: 3, 4). “Blessed be the Lord,” the psalmist writes, “who daily bears our burden, the God who is our salvation” (Ps. 68:19, NASB). Because he does, He is where our hearts find their rest.

It’s not easy to help shoulder someone’s grief, not simply in the context of marriage and family, but also those of our friends and neighbors, even our enemies. Yet God commands us to love (Matt. 5:44), even as He loves us, and the way is the way of the Cross, our own and each other’s.

Emily Dickinson, “I measure every Grief I meet” (1830-1886)

audio reading ℗2020 dora a.k.

I measure every Grief I meet
With narrow, probing, Eyes —
I wonder if It weighs like Mine —
Or has an Easier size.

I wonder if They bore it long —
Or did it just begin —
I could not tell the Date of Mine —
It feels so old a pain —

I wonder if it hurts to live —
And if They have to try —
And whether — could They choose between —
It would not be — to die —

I note that Some — gone patient long —
At length, renew their smile —
An imitation of a Light
That has so little Oil —

I wonder if when Years have piled —
Some Thousands — on the Harm —
That hurt them early — such a lapse
Could give them any Balm —

Or would they go on aching still
Through Centuries of Nerve —
Enlightened to a larger Pain –
In Contrast with the Love —

The Grieved — are many — I am told —
There is the various Cause —
Death — is but one — and comes but once —
And only nails the eyes —

There’s Grief of Want — and Grief of Cold —
A sort they call “Despair” —
There’s Banishment from native Eyes —
In sight of Native Air —

And though I may not guess the kind —
Correctly — yet to me
A piercing Comfort it affords
In passing Calvary —

To note the fashions — of the Cross —
And how they’re mostly worn —
Still fascinated to presume
That Some — are like My Own —

Isaiah 53: 2-5

For he grew up before him like a young plant, and like a root out of dry ground; he had no form or majesty that we should look at him, and no beauty that we should desire him.

He was despised and rejected by men, a man of sorrows and acquainted with grief; and as one from whom men hide their faces he was despised, and we esteemed him not.

Surely he has borne our griefs and carried our sorrows; yet we esteemed him stricken, smitten by God, and afflicted.

But he was pierced for our transgressions; he was crushed for our iniquities; upon him was the chastisement that brought us peace, and with his wounds we are healed.

1 Thessalonians 3:12-13 (NIV) 

May the Lord make your love increase and overflow for each other and for everyone else, just as ours does for you. May he strengthen your hearts so that you will be blameless and holy in the presence of our God and Father when our Lord Jesus comes with all his holy ones.

The Enchanted Castle

(c) Paintings Collection; Supplied by The Public Catalogue Foundation
Francis Danby, “The Enchanted Castle” (c. 1841)

When I first saw this painting, I was struck by the intensity of its vision, not simply the artist’s but the lingering figure of the woman by the reflecting pool. She seems oblivious to the slow burn of the golden light beyond the dark overarching trees and the darkened castle. Their shadows have won the day. She looks down, dwelling on her thoughts even as the shadows grow. She seems unaware of the fiery sunset, perhaps unconcerned. Her introspection holds her captive, there by the enchanted castle, be it memories or dreams or affairs of the heart or the world or the steady drone of the day.

Continue reading “The Enchanted Castle”

Renoir and Dickens: Two Quotes

 

556px-Charles_Dickens-_A_Tale_of_Two_Cities-With_Illustrations_by_H_K_Browne,_1859

Charles Dickens, A Tale of Two Cities (1859):

 It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair …

 

 

363px-Auguste_Renoir_-_Young_Girls_at_the_Piano_-_Google_Art_ProjectThe great French artist, Pierre-Auguste Renoir, suffered so much from rheumatoid arthritis that it was difficult for him to paint due to progressive deformities in his hands and shoulders. The painting on the left, “Young Girls at the Piano” (1892), was done when he first developed the disease.

Yet when a friend said, “You have done enough. Why do you torture yourself?” Renoir replied, “The pain passes, but the beauty remains.”

 

Continue reading “Renoir and Dickens: Two Quotes”