Judgment Day

Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt 
and limit our words to 100 or less. 
Click on the frog to read more stories.

photo prompt © Ted Strutz

Genre: Realism
Word Count: 100

Narrator: dorahak Background: Arctic White Noise and Wind (link)

Judgment Day

Cur Deus homo.* Why? Blindly, we sail past the pinnacle of what we could be.

The cruise ship Earth is all fun and games. Whether the fun intended causes others misery or not isn’t part of the equation. The equation only includes playing gods, every individual for himself, the rich richer, the poor poorer because they were losers. Losers become slaves because that’s how the game is played.

Like the pharaohs of old, we will take the living into hell with us.

Out across the ice, I see Frankenstein chasing his monster. And the worm turns.

Judgment Day.


*Cur Deus Homo (Latin for “Why a God Human?”), usually translated Why God Became a Man, is a book written by Anselm of Canterbury in the period of 1094–1098. In this work he proposes the satisfaction view of the atonement.

In its preface, Anselm gives his reason for writing the book:

I have been often and most earnestly requested by many, both personally and by letter, that I would hand down in writing the proofs of a certain doctrine of our faith, which I am accustomed to give to inquirers; for they say that these proofs gratify them, and are considered sufficient. This they ask, not for the sake of attaining to faith by means of reason, but that they may be gladdened by understanding and meditating on those things which they believe; and that, as far as possible, they may be always ready to convince any one who demands of them a reason of that hope which is in us.

Preface to Cur Deus Homo, transl. Sidney Dean in St. Anselm
The beginning of the Cur Homo‘s prologue, from a 12th-century manuscript held at Lambeth Palace

The Day of Visitation

This week for Friday Fictioneers I took Rochelle’s Thoreau quotation to heart, to wit: “It’s not what you look at that counts, but what you see.” Apologies in advance, since I am in no doubt I am treading heavily on your patience as I take liberties with the purported speech of birds that speak in excessively lengthy portmanteau-like, compound words. For those interested, I was thinking of Mark 11:12-25 and Luke 19:44 when writing this.
Image credit: ©Roger Bultot
Join in the storytelling by clicking on the frog:

Genre: Prose/Poetry
Word Count: 100

The Day of Visitation

I did not know at all how to be, which way to live.

I came to wash on the shore, from city street wandered in, when spectacles lit, unfolded, slipped onto my nose, to where care had not brought down the voice so sweet of blackbirds and cuckoo:

(Stray)nger. SoreThumber.
Ins(hide)r. Persiflager.

Temple(ate) in winter, summer cocooned
Sing cuccu
1

Wrapt in(word) Word-horde strong
seed(l)ing is icumen
2

In(to)ward barren no(thingness)
Sing cuccu

Trinity, Three-in-One, God is.
love: creation, revelation, (re)creation

Light(sends word)Light(tabernacles)Light(sheds abroad)
Sing cuccu

Kingdom b(earth)ing on a cross
Imparts life over death

Stay stranger, stay in(side) Christ
Sing cuccu


1,2“The Cuckoo Song” – “Sumer is icumen in” – Middle English, mid-13th century: https://en.wikipedia.org/wiki/Sumer_is_icumen_in

Weathervane

photo prompt © Dale Rogerson
Genre: Realism 
Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt 
and limit our words to 100 or less. 
Click on the frog to read more stories.

Weathervane

She prays all night. The church doors had been surprisingly unlocked. Its interior, its peculiarly aged scent of wood, recalls her standing between her parents, singing in her clear soprano voice, afterwards accepting praise from teary-eyed elders.

How long since she’d sung a hymn? Her music had taken her a long way from the church’s doors.

At last she rises. Outside, she looks back at the steeple lit by the dawn, a rooster weathervane atop the cross.

Bending her head, she weeps to remember that even Peter1 had denied his Lord three times before the rooster crowed. And been forgiven.


1Mark 14:27-31, 66-72 (NIV)
“You will all fall away,” Jesus told them, “for it is written:
‘I will strike the shepherd, and the sheep will be scattered.’[Zech. 13:7]
But after I have risen, I will go ahead of you into Galilee.”
Peter declared, “Even if all fall away, I will not.”
“Truly I tell you,” Jesus answered, “today–yes, tonight–before the rooster crows twice you yourself will disown me three times.”
But Peter insisted emphatically, “Even if I have to die with you, I will never disown you.” And all the others said the same. …
[After Jesus’ arrest] While Peter was below in the courtyard, one of the servant girls of the high priest came by.
When she saw Peter warming himself, she looked closely at him. “You also were with that Nazarene, Jesus,” she said.
But he denied it. “I don’t know or understand what you’re talking about,” he said, and went out into the entryway.
When the servant girl saw him there, she said again to those standing around, “This fellow is one of them.”
Again he denied it.
After a little while, those standing near said to Peter, “Surely you are one of them, for you are a Galilean.”
He began to call down curses, and he swore to them, “I don’t know this man you’re talking about.”
Immediately the rooster crowed the second time.
Then Peter remembered the word Jesus had spoken to him: “Before the rooster crows twice you will disown me three times.”
And he broke down and wept.

Trade-off

PHOTO PROMPT© Liz Young
Genre: Realism; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt 
and limit our words to 100 or less. 
Click on the frog to read more stories.

Trade-off

— It looks fabulous!
— What does?
— Isn’t that heaven?
— Those are elevators.
— Can I go on one?
— No. You have to take the stairs. You don’t have a golden pass.
— Why not?
— You can’t afford it.
— But I have money!
— It’s not just money. It’s talking a certain way, shopping at the approved stores, socializing with the proper sort, voting for the prescribed party.
— Well, I’ll do all those things then.
— Okay. But first I have to tape your mouth shut, blindfold you, tie up your legs and lobotomize you.
— And then I’ll get to take the golden elevators?
— Yes.
— Okay.

Knowing Me, Knowing You

photo prompt © Krista Strutz

Knowing Me, Knowing You

I watched him.

Rather queer really, how his eyes held the same question as my nestlings when they dared to look over the edge of their eyrie.

Here was a grown man suddenly struck by the mystery of being: “I see the eagle. The eagle sees me. We see each other. Why?”

This man meant nothing to me yet I pitied him as he drifted past on his piece of wood.

I raised my pinions, taking flight on the warm current of wind. There was only one mystery that mattered: how to know the One who freely gave us life.

Genre: Realism; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt 
and limit our words to 100 or less. 
Click on the frog to read more stories.

Waiting for Michaux-Perreaux

photo prompt: Brenda Cox

Read more about the Michaux-Perreaux here, a French bicycle company that later invented the steam velocipede, one of three precursors to the modern motorcycle. I chose Michaux-Perraux for its rhyming allusion to Godot in this semi-allegory.

Genre: allegory; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt 
and limit our words to 100 or less. 
Click on the frog to read more stories.

Waiting For Michaux-Perreaux

Every day, after work, the old cleaning woman sat on the bench staring at the Michaux-Perraux half in, half out of the building’s side. She was as much an oddity as the bicycle. Sometimes she was seen wiping tears away. Usually she sat poised expectantly. Nothing ever happened. Then, bowing her head, she would walk slowly away.

One day, an earthquake shook the town. The building was evacuated. As everyone watched, debris began falling, the wall with the bicycle cracked, and people screamed and ran.

All except the old woman.

The bicycle fell loose. Smiling, she rode it home.

Tomato Soup for You

Heavenly Father,

I’ve always stood out. Indian child. Small town. No friends really. A lonely thing with a big moon that followed her. I thought about you a lot. Didn’t know you thought about me too. You know the story. You loved me even when I didn’t.  I wanted to DO something. Never did. I trained with pretty great chefs, one from Paris. They agreed all I did right was making tomato soup. What could I do? I opened a stand-out “All-Things-Tomato” take-out. Some can pay. Some can’t. I do it for You, Lord. May it be to Your glory.

Photo © Dale Rogerson. Click her name for more on the photo.
For Rochelle Wisoff-Field's Friday Fictioneers where we write in any genre in 100 words or less. Click on the frog and join in!
 

The Mole People

Rochelle Wisoff-Fields very kindly invites us to join the Friday Fictioneers in their weekly creative quests of a hundred words or less prompted by a photo. Click here and join in! Photo prompt © Anne Higa  

The Mole People

In the underground caves we lived the squalor that passed for life
Each of us coveting the other’s baubles, driven by transient desires
One took another’s wife, someone her neighbor’s pearl of contentment
Deceived and deceiving we lived as opulent moles in a darkness unrelenting.

We were aware of an abundant life above ground, one richer in life and meaning
We yearned to quench ourselves in the unfathomable joy of its Light pouring
Through the dim recesses of our shadowed being, but mechanically going to and fro
We multiplied our labors seeking promised pleasure in glinting mirrors of craving eyes.


Dear reader: A little background to the above poem. In reading the 20th-century philosopher René Girard, one can’t help but be struck by how the last of the Ten Commandments focuses exclusively on covetous desire, something that the second tablet of the law enumerates to a certain extent. Thou shalt not covet. Girard finds the breaking of this law to be the root of violence in every culture. Here’s how he explains his theory of mimetic desire:

In reading the tenth commandment one has the impression of being present at the intellectual process of its elaboration. To prevent people from fighting, the lawgiver seeks at first to forbid all the objects about which they ceaselessly fight, and he decides to make a list of these. However, he quickly perceives that the objects are too numerous: he cannot enumerate all of them. So he interrupts himself in the process, gives up focusing on the objects that keep changing anyway, and he turns to what never changes. Or rather, he turns to that one who is always present, the neighbor. One always desires whatever belongs to that one, the neighbor. Since the objects we should not desire and nevertheless do desire always belong to the neighbor, it is clearly the neighbor who renders them desirable. In the formulation of the prohibition, the neighbor must take the place of the objects, and indeed he does take their place in the last phrase of the sentence that prohibits no longer objects enumerated one by one but “anything that belongs to him [the neighbor].” What the tenth commandment sketches, without defining it explicitly, is a fundamental revolution in the understanding of desire. We assume that desire is objective or subjective, but in reality it rests on a third party who gives value to the objects. This third party is usually the one who is closest, the neighbor. To maintain peace between human beings, it is essential to define prohibitions in light of this extremely significant fact: our neighbor is the model for our desires. This is what I call mimetic desire.

René Girard, I See Satan Fall Like Lightning, pp. 9-10. (Click on the title for more of this excerpt.)