I walked this life – lonely –

I walked this life – lonely –
Aware of shame – only –
Chiding Your apathy – to me –
I saw myself – painfully – alone.

In Your light I see – suddenly –
Always You are – with me –
Walking me home – lonely –
Never having left me – painfully – alone.


Psalm 35:4-9 (NIV): Your steadfast love, O LORD, extends to the heavens, your faithfulness to the clouds. Your righteousness is like the mountains of God; your judgments are like the great deep; man and beast you save, O LORD. How precious is your steadfast love, O God! The children of mankind take refuge in the shadow of your wings. They feast on the abundance of your house, and you give them drink from the river of your delights. For with you is the fountain of life; in your light do we see light.

image credit: yoksei @ unsplash

Continue reading “I walked this life – lonely –”

I had two grannies

I had two grannies
(Not everyone does, you know).
One tall and spindly like a soothsayer’s runes
And another short and dwarfish like a hoarder of rubies.

If they could have peeled the flesh off me
They would have when I was four
And grafted their skin on me with their
Surgery knives of fleshy steel called tongues.

I remember them: their eyes, and now I wish
— I wish I didn’t.
Except in those messy fairy tales where
Witches get pushed into ovens
And children find their own way home.


Just as an addendum: I never saw my grandmothers again after the age of six when we moved and they died at a much later date. My dim memories of them are few.

For dVerse's "Grandmothers ..."

A Walk With You

When I walk down the street with you
it seems an avenue for the parvenu
who glitter and mime like bees round a cru
flush with cash, flush with dash, flush with boppity-boo.

I lean in, you lean out, you lean in, I lean out,
a flamenco we do, even a samba no doubt
while the white picket fences they shimmer and shout
“Oh look who! Oh look who!” like old aunties with gout.

And I’m so gorgeous and you’re larger than life
and if you’re honest, you’ll make me your wife;
but this world is so public and with catastrophes rife
its cerulean sky could change into a razor-sharp knife.

Would you stay with me, forever and a day
when the zinnias of summer turn a wintry gray?
When we walk beneath cottonwoods, will you turn and say,
“I’m glad you and I chose to go another way”?
Photo by Adam Bird

Continue reading “A Walk With You”

An Experiment in Poetry (A Cut-up)

What can be made of a poem which solely uses the last lines of other poems? Today’s dVerse challenge prompts us to construct just such a poem (or hodge podge or call it what you will) and I was curious what would follow. So I used the last lines of the first twelve poems in Margaret Atwood’s latest book of poetry, Dearly, (without alteration, only enjambment and lower-case) and this is what I got. Make of it what you will, but it goes to show that there is a resonance in words that builds on the generosity of a poem’s ambiguity and particularly the reader’s generosity as well. And such a cut-up technique plays on that to more or less affect.

Dear Reader, you decide.


An Experiment in Poetry (with apologies to Margaret Atwood)

hearts
hurt

not quite
cursed if she smiles or cries

the candle guttering down
I’ll give dry light

turn the key. Bar the window
let there be plot

why can’t I let her go?
isn’t it pretty, back there?

as Heaven always is,
if you read the texts closely

remember me
sing: On

Under Dust

Found on a flyleaf: “Awarded to Fanny for an Essay on ‘What I saw during my trip to the orphanage’. Sept 19111

John Atkinson Grimshaw (1836-1893), “November Moonlight”

The art book when I find it
is pristine with dust, a gray snowfall,
only the flurries fall upward in the sunlight

defying gravity, defying the orderly Milky Way
of my existence, its fixed planetary motions
with phantoms of metaverses like motes

in my eyes: Marcel² says, “leave it under the bed”:
but the plank is in his eye: this dust is
important as marble, a tombstone in the tundra

of which I am custodian, and I hate the gloved hand
that gave it and know the open hand that received it
and I would not disturb the fixed leaves

that shelter the child who murmurs “dada”
then “rosebud”
then dies.

Man Ray, Dust Breeding (Dust over work by Marcel Duchamp), ca. 1920

1Inscription (with edit) from The Book of Inscriptions Project

2French artist/writer Marcel Duchamp let dust collect in a spot under his bed (he called it “growing dust”), instructing his maid not to clean it.

Continue reading “Under Dust”

When I Am Most Sick

When I am most sick, she confesses,
My mother’s face swims close
Like a dimly discerned form
On tree bark on which

I trace the tenderness I craved
Drawn by sickness to my window
Witnessing penance in unremitting pain
As in a cloister where whispers seek

Absolution that will never be given
By roots winding, coiling, her fingers
As leaves brushing bark into memory
Locked in a brace of trees.

“Embrace”
(painting by Lee Madgwick used by permission
for dVerse’s Poetics ekphrastic prompt)

The Necklace

It was coiled and glowing in a single ray
of light, speaking of treasure maps

and I am there when she gives it to you,
the thin gold filigree weaving delicate

through coral one after another, jostling
into the tender skin of your palm

cupped like a boat that had sailed too far
to be retrieved by a golden hook

that cut into the bark of heart and home
but landed somewhere between reality

and the wound that never heals:
“I’m leaving it with you,” I hear her say

to you. And you look at it like the sum
of all mysteries and said to her, to me,

“Where will you go? Can’t you stay?”
and I said, she said, “It’s no more use to me,

maybe for you,” and you tore the coral off
your neck and your hands bled for a season

and a day, until you drew its poison out
of your body and praised the Light that stayed.


Image credit: Amrita Sher-Gil, "The Little Girl in Blue" (detail; 1934).
Merril at dVerse asks us to "write about a historical artifact…You may write about any object—a family heirloom, a museum piece, a monument, or a palace. The choice is yours, but there must be some link to history and the past. You can write in any form or free verse."

The Light-Catcher’s Quest

Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt (© Roger Bultot)
and limit our words to 100 or less. 
Click on the frog to read more stories.
photo prompt © Roger Bultot

Genre: Fiction
Word Count: 99

The Light-Catcher’s Quest

Maisie gazes up at the light-catcher’s abode. She had tracked him down to this narrow street months ago, carefully observing his habits.

She still wonders why he’s here, when the comfortable far-palaces of Glinoraram are his for the asking, this youngest son of the king.

She was sent to bring him back, by force if necessary. Instead she finds herself discreetly helping him as Abaddon’s1 darkness grows heavier.

The dwellers on this dismal street need every light-scrap the light-catcher can find to give.

Emerging from his eyrie, his keen eyes meet hers knowingly. Did he know she loved him?


1The Hebrew term Abaddon (Hebrew: אֲבַדּוֹן‎ Avaddon, meaning “destruction”, “doom”), and its Greek equivalent Apollyon (Koinē Greek: Ἀπολλύων, Apollúōn meaning “Destroyer”) appear in the Bible as both a place of destruction and an archangel of the abyss. In the Hebrew Bible, abaddon is used with reference to a bottomless pit, often appearing alongside the place Sheol (שְׁאוֹל Šəʾōl), meaning the realm of the dead.

In the Book of Revelation of the New Testament, an angel called Abaddon is described as the king of an army of locusts; his name is first transcribed in Koine Greek (Revelation 9:11—”whose name in Hebrew is Abaddon,”) as Ἀβαδδών, and then translated Ἀπολλύων, Apollyon. The Vulgate and the Douay–Rheims Bible have additional notes not present in the Greek text, “in Latin Exterminans”, exterminans being the Latin word for “destroyer”.

Before Winter

I left to see you:

the wind blew golden jewels

shook out curtains of fire flakes

heralds of star-strewn way

racing winter’s frost before me.


2 Timothy 4:21-22
Do your best to come before winter.
Eubulus sends greetings to you, as do Pudens and Linus and Claudia and all the brothers.
The Lord be with your spirit.
Grace be with you.


Grace at dVerse challenges us with the "wayra," a popular poetic form
in Peru and Bolivia written in five unrhymed lines of 5-7-7-6-8 syllables.
Click on Mr. Linky to join in.
Image credit: Autumn Leaves, Wallpaper Safari

Unbereaved

Frank at dVerse asks us to write a haibun (prose plus haiku) dealing with fear. Unlike the trumped up fear of Halloween games, there are real fears that children deal with at the hands of a parent, their childhood stolen. Perhaps years from now in their adulthood, one will thank you because you noticed and cared. 
Kathleen Munn, Composition (Horses), c. 1927

Nightmares when they roughshod ride primeval, cross cave walls and closet doors, charm no one, least of all you, appearing on site like a combative cow to remind me that when you gave birth it was in pain, a pain that didn’t end with birth. For you it won’t be enough that the shamanic horse runs wild torment across my plain features, flushed hot, now cold with fear, gaping at the undisclosed terrain of days yet unrun, populated by masked faces finding a home where I cannot. Flesh-like you appear to say, “I screamed bloody murder, you devouring me inside out, the doctor said, literally, you were eating me alive, like some malnutritioned demon-child, and I’m just a shadow of myself. To haunt you. In whatever caves you may roam. Gypsy-cursed.”

Have you seen a cow eat its calf? A hen pluck out its chick’s eyes? A mother hate her child? From where does this malformation derive than in red misery, bitter burning coals, stone-shaped eyes that glitter from the grave to shriek and shriek and shriek?

I fear you. But it’s not what you think. Though you’re dead your pain inflicts me. Your strained neck as you push onward defying all but gravity, defying the gods of nature to take from you the child you will punish because you can’t punish them.

steel-born heart in sheath
trampled plain of childhood’s corpse
nightmare by firelight

Writer’s Block: A Brown Study in Haibun

I want to start a poem like this: I am brown, very brown. Then I get writer’s block. Because now it’s out there.

There’s a story to tell, but it’s not poetic. It’s definitional. I have to define wheatish, fair, tan, light-skinned, black, white, and all the colors that separate you and me, and beat us into submission, into bearing the crimes of our color, even though not once have I cried because I was dark brown. But I have cried because you spoke to my skin color and not to me.

And tears are wordless, colorless. Their salt shorts out syllables, keyboards, laptops. Already I taste it on my tongue. So I eat the heart of a dragon and listen to the gossip of birds.

A blackbird flies south
Its shadow falls on Mt. Fuji
Western sun descends

Katsushika Hokusai (1760-1849) “Tea house at Koishikawa. The morning after a snowfall”
Frank at dVerse asks us to write on Writer's Block for Haibun Monday. 
The haibun form "consists of one to a few paragraphs of prose
—usually written in the present tense—that evoke an experience and are 
often non-fictional/autobiographical. They may be preceded or followed 
by one or more haiku—nature-based, using a seasonal image—that complement without directly repeating what the prose stated. 
Click on Mr. Linky to join in!


“The (Im)partial Church”: A New Podcast

I’m so pleased to have discovered a podcast that addresses issues of color, ethnicity, and diversity with a Christ-centered perspective. Prof. Janine Bolling and Rev. Dr. Gerard Bolling host The (Im)partial Church podcast for Lutheran Hour Ministries, a podcast exploring “how Christians embrace different cultures, celebrate diversity, and live out their faith.”

Entertaining as this brother-sister duo is, when addressing the issues of BIPOC (black, indigenous, people of color), cancel culture, and cultural diversity, they follow the apostle Paul’s admonition to “let your speech always be gracious, seasoned with salt, so that you may know how you ought to answer each person” (Col. 4:6). As they point out in “What Not to Say” (episode 3), salt preserves, and we must use our speech to preserve relationships between people, not destroy.

The Bollings are winsome and practical, providing with their podcast a place for Christians to look for ways in which to live out their faith midst cultural diversity. Bringing their personal and professional experiences into the conversation makes it that much more relatable, while grounding their discussion in frequent references to Scripture and what God calls us to be as His family bought and reconciled through the Cross of His Son provides the solid ground of love and hope and fresh motivation to build bridges between communities.

Repentance. Forgiveness. Reconciliation. Love. For Christians these qualities are part of the very identity we have in Christ Jesus.

The (Im)partial Church engages and informs, inspires and connects, all in service to the God who calls us above the noise and fray of hostility to live to His glory in obedience and love and humility and sacrifice.

Listen to this podcast and be refreshed and energized to meet the challenges of a culture that would divide rather than unite us. As Christians we are called to this ministry of reconciliation by living missionally, reflecting the new life we have in Jesus.

Humble Singh and the Giddy Widow: A Good Friday Story

It was Good Friday morning and Humble Singh was watching the clock.

He had done this every Good Friday for as long as he could remember, even while his wife, Millie, was still alive and before he had sold his business and moved to live with his son and his family.

It was a quarter to nine. Soon Jesus would arrive, cross-laden, at Golgotha. His face is beaten to a pulp, Jewish and Gentile spit mingles with his blood, and he is struggling with exhaustion and pain as long strips of deeply scored flesh lie open on his back from the scourging, and every nerve in his body screams in anticipation of the crucifixion. The soldiers hurry him along. They conscript a bystander to carry the horizontal beam on his back.

Ten till. Humble sat in his sitting room at the back of the house. Suddenly he leapt up and went into the back garden. Red tulips. Purple hyacinths. Large burgundy magnolia buds like the bruises that covered Christ’s body. The Roman soldiers had mocked him with a purple robe and a crown of thorns while beating him repeatedly. The Jewish priests and their hitting, spitting and slapping needed their scorn driven home. But it was their hour of shame. “His blood be on us and on our children!” the crowd had cried. The mob must have its victim. Even if that victim was pure, blameless. The Lamb of God.

A minute till nine. They lie him down, stripped, arms held down on the cross beam. Humble looks up at a movement in the shrubbery. A bunny had scurried through the open garden gate. Humble hurries to close it.  Piercing nails. Blood running free. Writhing agony. Joints stretching in excruciating torture. The crowd gathers round. Women sob. Many watch in satisfaction.

“Humble! Yoo hoo, Humble!” a woman’s voice sings out. It was Prithi, known in the predominantly Asian neighborhood as the “Giddy Widow.” She approaches him with a broad smile and with nowhere to run, unlike the bunny, Humble returns her greeting. She comes into the garden, her heels clicking on the pavement, bangles bouncing on attractively plump arms and her rouged face a pantomime of coquetry.

They wander around the garden, Prithi chatty, Humble surreptitiously checking his watch. It was a large garden, professionally tended, an arbor here, a fish pond there, a large oak in the middle of the grounds, shady trees of cherry, plum, and maple. No olive trees. Unlike that garden where Christ sweated huge drops of blood at what he would be enduring today. “The good shepherd lays down his life for his sheep.”

Continue reading “Humble Singh and the Giddy Widow: A Good Friday Story”

Faith’s Furnace

Shadrach, Meshach and Abednego replied to him, “King Nebuchadnezzar, we do not need to defend ourselves before you in this matter. If we are thrown into the blazing furnace, the God we serve is able to deliver us from it, and he will deliver us from Your Majesty’s hand. But even if he does not, we want you to know, Your Majesty, that we will not serve your gods or worship the image of gold you have set up.”

…Then King Nebuchadnezzar leaped to his feet in amazement and asked his advisers, “Weren’t there three men that we tied up and threw into the fire?”

They replied, “Certainly, Your Majesty.”

He said, “Look! I see four men walking around in the fire, unbound and unharmed, and the fourth looks like a son of the gods.”
(Daniel 3: 16-18, 24-25)

Even if the fire should scorch
The flames should singe till sight is lost
And flesh burn off like candle wax —

Even if dreams deferred
Rot the heart and sicken hope
To shriveled bones like raisins in the blaze of day —

Even then I will not bow to gilt or gold
To fortune’s prince or hell’s hot blast
For a Love stronger than death.

Continue reading “Faith’s Furnace”

The Three Sisters

What betrayals do we unwittingly commit in mistaking selfish desires for selfless love? Happy to recommend a newly published fairy tale, “The Three Sisters,” a wise meditation on men, women, and our expectations one of the other. As C. S. Lewis once said, “Sometimes fairy stories say best what needs to be said.”

Once upon a time there were three brothers who lived with their parents in the midst of a vast forest. If there were any other people in the forest, they knew nothing of them, for they found no tra…

Source: The Three Sisters – Metaphorosis Magazine

Charles Dickens & George Frideric Handel: Two Quotes

This is a first in my “Two Quote” series, since it sets side by side not only a written quotation but a musical one.

It’s rare when music is mentioned in literature that I feel inclined to dwell much on it but when the writer is Dickens and the composer is Handel, well, naturally I took the bait. Needless to say, the comic nature of poor Bella’s father’s grimly melodious characterization of his marriage took flight. But then Dickens always did have a way of making you literally laugh through your tears, perhaps even his own as he was at the time estranged from his wife.

Dickens_by_Watkins_1858

Our Mutual Friend was his last completed work and, as if in a farewell gesture, Dickens throws into it the unrestrained comic genius and dramatic flair of his first novel (The Pickwick Papers, 1837) which brought him the acclaim he richly deserved. In the excerpt below, the “Dead March” from Handel’s dramatic oratorio, Saul, is made to dance to the sorrowful notes of Reginald Wilfer’s portrait of married life.

Our_Mutual_Friend02

Mrs. Wilfer, writes Dickens, “is a tall woman, and angular,” necessarily so according to the matrimonial law of contrasts, her husband being “cherubic.” “It is as you think, R. W.; not as I do,” comprised a part of her deceptively submissive repertoire of aphorisms with which she managed him. Only to Bella, his eldest daughter, is Reginald Wilfer able to relax his guard and venture into unfettered conversation.

Continue reading “Charles Dickens & George Frideric Handel: Two Quotes”

Unforsaken


On a sunny day to feel so cold
or to be joyless in the moonlight
alone with demons that circulate in the air
like dust motes no one else can see
but the prisoner engulfed by placid Hades—”of suffering
the Old Masters were never wrong”—
agape in excess, empty of hope.

I cannot feel the sunlight’s burst or the moon’s
pale rays but this I know in my darkness:
enthroned on high in the heavens
my King reigns in whose power lie the visible
and invisible, Who holds sway over all,
yet undertakes to dwell with me
to deliver me from hell.


¹line from W. H. Auden’s Musée des Beaux Arts (poem)

John 1:5
The light shines in the darkness, and the darkness has not overcome it.

The Way and the Roadmap

I wonder, have you reached the point in your Christian walk where weakness is strength? Where your weakness becomes a source of joy? If you have, then you have found true humility and more: you have found wisdom. And wisdom is a Person. Jesus Christ.

As C. S. Lewis puts it,

It is easy to acknowledge, but almost impossible to realize for long, that we are mirrors whose brightness, if we are bright, is wholly derived from the sun that shines upon us.…Grace substitutes [for hubris] a full, childlike and delighted acceptance of our Need, a joy in total dependence. We become “jolly beggars.” (The Four Loves)

Joy in total dependence? It goes against the grain of our tendency towards self-reliance. In our pride, complete dependence is anathema.

Continue reading “The Way and the Roadmap”