From Black Ship to Ferry and Never Home Again

[A Short Story]

I unravel from my winding sheet for that is what it is, this flesh which harbors my soul in the same way my soul embraced the flesh in its wanderings like Ulysses aboard his black ships.

As I do, I spy my body at a slowly retreating distance, see its supine figure like a sculpture by Rodin, no, strike that, more like a painting by Caravaggio, the one of Paul struck down on his way to Damascus, every strained muscle in his body and lineament of his face expressing brute confrontation with Truth.

Yes, I capitalized it, or Him, Truth, a living Being, the source and embodiment of the absolute by virtue of His aseity and omnipotence, against whom I thought I could compete with my own truth, small case, t-r-u-t-h, to my own demise when I took up arms against any who would tell me not to heed the siren’s call, or the call of that master rhetorician Ulysses, alive in every age, in every town, in every social circle, school, temple or townhall, the sly, polished poet, a borrower or thief with pockets full of gold who says, “Let’s see what’s out there, so much to see, so much to experience, and oh, the things we’ll learn as we range unanchored to any known shore, pushing that thin envelope of body and spirit to the limit!”

He offered what we all yearn for, knowledge of the world, a wisdom that ordinary people (how we despise them!) in their ordinary little lives could never hope to find, when there’s a world of pure epicurean adventure led by your captain, my captain, let’s call him Ulysses.

I was twenty-nine, hardly naïve, yet naïve as a voter with a politician spinning promises, and so I left my home and went with him, my Ulysses, as ready as he with wit to parley at every Areopagus, eager to hear or spin every newfangled tale ever told, see every exotic sight to behold, by plane, by train, oh, the places to go, to experience every esoteric fad and sensation, and everywhere the dawn rose to the rooster’s call of Carpe diem and the night fell on the cries to transgress, transgress, every boundary, every limit, until my soul gave way from its moorings at the realization that I had gained nothing but lost everything.

Soon I’ll leave for Charon’s Ferry and I wish now – too late — for just one more voyage: a voyage I’ll never know.


Denise's Six Sentence Story Word Prompt is "range" so naturally my thoughts flew to that free-ranging (anti-)hero Ulysses and his place in Canto 26 of Dante's Inferno, Commedia. 

Canto 26 is one of my favorite cantos in the Inferno, so much being said here by Dante, revealing how much he too is tempted by the same passion as Ulysses whose supple philosophical genius and rhetorical skills are used to deceive the Trojans and ultimately lead to the doom of his own men as he leaves Ithaca, his home. They sail beyond the gates of Hercules where he and his men spy Mount Purgatory before “a whirlwind rose and hammered” at their ships sending them plunging beneath the ocean waves.

Continue reading “From Black Ship to Ferry and Never Home Again”

An Experiment in Poetry (A Cut-up)

What can be made of a poem which solely uses the last lines of other poems? Today’s dVerse challenge prompts us to construct just such a poem (or hodge podge or call it what you will) and I was curious what would follow. So I used the last lines of the first twelve poems in Margaret Atwood’s latest book of poetry, Dearly, (without alteration, only enjambment and lower-case) and this is what I got. Make of it what you will, but it goes to show that there is a resonance in words that builds on the generosity of a poem’s ambiguity and particularly the reader’s generosity as well. And such a cut-up technique plays on that to more or less affect.

Dear Reader, you decide.


An Experiment in Poetry (with apologies to Margaret Atwood)

hearts
hurt

not quite
cursed if she smiles or cries

the candle guttering down
I’ll give dry light

turn the key. Bar the window
let there be plot

why can’t I let her go?
isn’t it pretty, back there?

as Heaven always is,
if you read the texts closely

remember me
sing: On

Sailing into Eternity

“What is all this love for if we have to walk into the dark?” (M.R. James)

This is no country for old women
Scavenging among the shops of younger
Birds feathered-fit for triumphalist high-fives
Impatient of scarecrow’s creaking shoes, masked
Grimace reaching for a tin on a grocer’s shelf.

Pain exacts through sickness and age
Its own price, even as we gingerly kneel
To find the lisolia of those now lost to sight,
Praying hands held aloft, clasping light
In the aftergloom of laughter’s ghosts.

In the heartmoor of these days and nights
Visions appear, and I press forward into the dark
Of words that like crumbs from the children’s table
Fall upon me, as manna, as showers, as stories
Of love that even scarecrows can laugh to tell.


Linda at dVerse asks us to choose one or more words from a list of neologisms to write a poem. Click on Mr. Linky and join in! I've chosen "heartmoor," "aftergloom" and "lisolia," definitions of which are given in The Dictionary of Obscure Sorrows:
Aftergloom: the pang of loneliness you feel the day after an intensely social event, as the glow of voices and laughter fades into a somber quiet.
Heartmoor: the primal longing for a home village to return to, a place that no longer exists, if it ever did.
Lisolia: the satisfaction of things worn down by time, broken in baseball mitts, the shiny snout of a lucky bronze pig, or footprints ground deep into floorboards by generations of kneeling monks.

Wallie on Words | Wallie’s Wentletrap

After my half year of blogging, my fellow bloggers have made me appreciate anew how many words are “set free” to reveal inner worlds, many of which have enhanced mine. Thanks to those like WalliesWentletrap.com who have made 2014 a memorable year with their “words” – pressed or wrinkled! And a Happy New Year of blogging!

lampost_line_edited-1

Wallie on Words

If words go in one ear and out
With all the meaning left without
How sad it is for little words
To know they are not ever heard.
How sad for letters black on white
To know their only hope is sight
And yet it’s lovely too, that we
Can speak the words, and set them free.

via Wallie on Words | Wallie’s Wentletrap